
Professor of SPANISH (Latin American Literature, Theater, Popular Culture & Performance Arts).
Director of KARPA, Journal of Theatricalities & Visual Cultures.
Member of CAL STATE LA Golden Eagle / Aguila de Oro Mariachi Band.
Office Hours ~ (Spring 2015) | |
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Monday | |
Tuesday | 2:10 - 4:10 p.m. |
Wednesday | |
Thursday | 2:10 - 4:10 p.m. |
Friday | |
Saturday |
INTRODUCTION
I am from Cali (Valle del Cauca), Colombia. Currently I am Full Professor of Spanish where I teach Latin American Theater, Performance Art and Literature. During 2011 I was Research Fellow of theVerflechtungen von Theater Kulturen (Interweaving Performance Cultures). Freie Universität, Berlin. Previously, I was Director of Latin American, Latino, and Caribbean Studies (LALACS) at Gustavus Adolphus College (1999-2006). I also served as advisor for the Independent Study group in Cuba, SPAN, University of Minnesota (1999-2000). I worked as Research Associate with David William Foster (1996-1997), and as Teaching Associate at Arizona State University. Since 2009 I am member of the CSULA Mariachi Band Aguila de Oro (Golden Eagle).
TEACHING INTERESTS
For the last years, at California State University, Los Angeles, I have taught Theater Production in Spanish (Teatro en español), and developed several collaborative projects involving the Music and Theater Departments (see Mariachi Quixote). I have also taught undergraduate and MA courses on Contemporary Latin American Theater and Literature, graduate seminars on Latino and Latin American Performance Art, and on Mexican Popular Cultures from the point of view of theater and performance studies. I am fortunate in that my academic life has given me the opportunity to balance both teaching and research in my field. At Cal State I love having the opportunity to work with a diverse student population. I try to create a comfortable and humorous atmosphere that promotes communication between cultures, while at the same time promoting a high level of learning.
RESEARCH
My central line of research and publication has been Mexican and Colombian literature with a focus on theater and performance art. My research has generally focused on the connections between Western tradition and Latin American culture, particularly the need to re-accommodate theoretical framework originating in Europe and the US when studying Latin American and US Latino productions.
With the collaboration of Dr. Paola Marín, I founded the academic electronic journal Karpain 2009, devoted to theatrical dissidences, visual arts, and culture. It publishes articles in Spanish, English, and Portuguese. The journal is a peer-reviewed publication indexed by the MLA International Bibliography, which encompasses Latin American and Iberian performing and visual culture manifestations such as political cabaret, dance, performance art, theater, social theatricalities, graffiti, photography, and film.
During my Fellowship at the Verflechtungen von Theater Kulturen in Berlin (2011) I did a research on Contemporary Mexican Political Cabaret focusing on the diverse processes of interweaving of cultures. My experience at Berlin allowed me to better understand additional perspectives on the Performance Studies field. These include the German scholarly tradition and the viewpoints of so-called Third World scholars who have questioned the intercultural component in the origins of the Performance Studies field in the U.S., principally the fact that performative manifestations from cultures beyond the Anglo-European context are often times stripped of their specifichistorical conditions. (More information here).
RECENT PUBLICATIONS
Title | Date |
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"Una postmodernidad reaccionaria: El pensamiento literario de Álvaro Mutis." Revista Iberoamericana. University of Pittsburgh (forthcomming).
Along with Paola Marín General Editor of Revista Karpa 8 (2015): Dossier "Art and Memory in Colombia" (Ed. Elkin Rubiano) | 2015 |
"Un cuerpo barroco dador de placer: Astrd Hadad". Moringa: Artes do Espectáculo [Universidade Federal da Paraiba] 5.2 (2014)
"La performance: ¿vanguardia o retaguardia?". Revista Papel de colgadura. [Universidad ICESI, Cali]. Septiembre, 2014.
“Cultural Interweavings in Mexican Political Cabaret.” Politics of Interweaving Performance Cultures: Beyond Postcolonialism. Introduction by Erica Fischer-Lichte. Epilogue by Homi K. Bhabha. London: Routledge, 2014. 42-59.
Along with Paola Marín General Editor of Revista Karpa 7 (2014): Dossier Performance y Teatralidades en Argentina (Ed. Jorge Dubatti) | 2014 |
"Absence and Pain in the Work of Doris Salcedo and Rosemberg Sandoval". Ed. by Sarah M. Misemer. South Central Review 30.3 (2013): 5-20. | 2013 |
“Hacia una imaginería legítima: una visión del cine colombiano a partir de la obra de Luis Ospina” Revista de Estudios Colombianos 41(2013) 54-60. | |
"El revés de la historia: cabaret político mexicano"Lectures du genre 11 (2013): 86-96. | |
"Una práctica contra-representacional: el cabaret mexicano" Paso de gato 54 (2013): 28-31. | |
EDUCATIONAL BACKGROUND
Research Fellow (2010-2011)
- Freie Universität, Interweaving Performance Cultures
Berlín, Germany
Ph.D. Contemporary Mexican Theater, 1997
- Arizona State University
Tempe, AZ.
Masters Latin American Art and Performance, 1991
- Universidad del Rosario
Bogotá, Colombia.
B.A. Contemporary Latin American Literature, 1989
- Universidad Javeriana
Bogotá, Colombia.
Studies of piano, flute and composition, 1979-1984
- Real Conservatorio Superior de Música y Canto
Madrid, Spain
COURSE LISTING
Course | Course Title | Day & Time | Room | Quarter |
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Span 507 | LITERARY THEORY | Wednesday :20 - 8:10 p.m. |
| FALL 2015 |
Span 421 | CONTEMPORARY MEXICAN LITERATURE | Tuesday / Thursday 6:10 p.m. - 7:50 p.m. | King Hall C 3102 | FALL 2015 |
Span 300 | ADVANCED GRAMMAR AND COMPOSITION | Tuesday / Thursday 4:20 p.m. - 6 p.m. | King Hall C 3102 | FALL 2015 |