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Michael Calabrese

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Michael Calabrese
College of Arts and Letters
Phone: X4288
Department of English
Email: mcalabr@exchange.calstatela.edu Office Location: ET

INTRODUCTION

Professor Michael Calabrese has taught at CSULA since 1994. 

 


TEACHING INTERESTS

Medieval and Classical Literature; Critical Theory; Ancient World Literature; Comparative Mythology and comparative religion.

 


RESEARCH

Chaucer; Langland; Middle English Literature; Medieval Continental authors; manuscript studies; electronic editing.

 

EDUCATIONAL BACKGROUND

Ph.D., English, University of Virginia, August, l991

MA, English, University of Virginia, May, l986

BA English, Concentration in Medieval Studies, Columbia University, 1983

 

Piers Plowman. Hm143 at the Huntington Library

 


PUBLICATIONS AND PRESENTATIONS

Books

Chaucer's Ovidian Arts of Love.  Gainesville: University Press of Florida, l994.

"Ye, baw for bokes”: Essays on Middle English Verse and Poetics in Honor of Hoyt N. Duggan." Co-edited with Stephen Shepherd.  Marymount Institute Press, 2013.

An Introduction to William Langland's Piers Plowman. New Perspectives on Medieval Literature Series. University Press of Florida, 2016. In press.

 

Editions

Hm 128, a Huntington Library Manuscript of the B-text of Piers PlowmanThe Piers Plowman Electronic Archive, Volume 7.  Boydell and Brewer and the Medieval Academy, 2008.  With Hoyt Duggan and Thorlac Turville-Petre.  Also on line: http://piers.iath.virginia.edu/index.html

           

Peer-Reviewed Essays and Articles

 "Langland's Last words." Readings in Medieval textuality: A Festschrift for A.C. Spearing. Woodbridge: Boydell and Brewer, 2016. In Press.

HM 128 as a Medieval Book, in Calabrese and Shepherd, 127-64.

“The Man of Law’s Tale as a Keystone”. Approaches to Teaching Chaucer’s Canterbury Tales. Ed. Frank Grady and Peter Travis. Modern Language Association of America. In Press.

 “Being a Man in Troilus and Criseyde and Piers Plowman.  Masculinities in Troilus and Criseyde, ed Tyson Pugh and Marcia Marzec. Boydell and Brewer, 2008: 161-182. Also, in this volume, co-author of the “Introduction: The Myths of Masculinity in Chaucer’s Troilus and Criseyde” with Tison Pugh and Marcia Smith Marzec.

“Chaucer’s Dorigen and the Female Voices of the Decameron,” Studies in the Age of Chaucer 29 (2007): 259-92.

Chaucer's Legends of Good Women in MLA Guides to Teaching:  Chaucer's Troilus and Criseyde and the Minor Poems.  (New York: MLA, 2006): 101-06.

“The Corrections and Erasures in Hm 143, a C-text of Piers Plowman,Yearbook of Langland Studies 20 (2005): 169-99.

"Controlling Space and Secrets in the Lais of Marie de France."  Place, Space and Landscape in Medieval Narrative, ed. Laura Howes.  Tennessee Studies in Literature.  Knoxville: U. of Tennessee Press, 2007: 79-106.

"Prostitutes in the C-text of Piers Plowman"Journal of English and Germanic Philology, 105 No. 2 (2005): 275-311.

“Male Piety and Sexuality in Boccaccio's Decameron.Philological Quarterly, 83 No. 3 (Summer 2003): 257-76.

"Performing the Prioress: 'Conscience' and Responsibility in Studies of Chaucer's Prioress's Tale."  "The Ends of Historicism: Medieval Literary Studies in the New Century," ed. Elizabeth Scala.  Texas Studies in Literature and Language.  44:1 Spring, 2002: 66-91.

"Men and Sex in Boccaccio's Decameron.”  Medievalia et Humanistica, 28, 2002: 45-72.

"Ovid and the Female Voice in the De Amore and the Letters of Abelard and Heloise."  Modern Philology, Summer 97: 1-26.  Reprinted by the Gale Group, 2002. 

"Between Despair and Ecstasy: Marco Polo's Life of the Buddha."  Exemplaria:  A Journal of Medieval and Renaissance Studies and Theory, X, no. 1 Spring 1997: 189-229.

"Feminism in the Packaging of Boccaccio's Elegy of Lady Fiammetta.Italica, Spring 97: 20-42.

"The Rhetorics of Sexual Pleasure and Intolerance in the Middle English Cleanness" (with Eric Eliason).  Modern Language Quarterly, 56, no. 3, 1995: 247-275.     

"The Lover's Cure in Ovid's Remedia amoris and Chaucer's Miller's Tale."  English Language Notes 31, no. 3, l994: 13-18.

"Meretricious Mixtures': Gold Dung and the Canon's Yeoman's Prologue and Tale."  Chaucer Review, 27, Number 3, l993: 277-92.

"Make a Mark that Shows': Orphean Sexuality, and the Exile of Chaucer's Pardoner."  Viator, 24, l993: 269-86.

"May Devoid of All Delight': January, The Merchant's Tale, and the Romance of the Rose,"Studies in Philology, LXXXVII, No. 3 (Summer, l990): 261-84.

 

Commissioned Academic Essays and Editorial Work

 

"Interior Negotiations: Piers Plowman and the Dream Vision Genre."The Blackwell Companion to British Literature. Vol. 1. Ed. Robert DeMaria, Jr., Heesok Chang, and Samantha Zacher.

 “Alliterative Wombs and the Wars of Alexander.” In Middle English Alliterative Poetry: Essays in Honour of  Thorlac Turville-Petre. Ed. Hoyt Duggan and John Burrow. Four Courts Press, Dublin, 2010.

“From Troy to 95 Lincoln Place, Irvington, NJ: A Virgilian Reading of the Sopranos Underworld.  Considering David Chase: Essays on The Sopranos, Northern Exposure, and The Rockford Files.  Ed. Thomas Fahy (Jefferson, North Carolina: McFarland Press, 2007): 196-213.

I have been credited with a “special contribution” in a number of volumes in the William Belan English Madrigal Choral Series, providing critical analysis of the madrigals: Gibbons, Orlando. The Silver Swan; Farmer, John. Fair Phyllis I saw; Dowland, John. Come again sweet love (Los Angeles: Gentry Publications, 2007).

I am also credited with a “special contribution” in William Belan, A Handbook for the Performance of English Madrigals. (Los Angeles: Gentry Publications, 2007). For this book I wrote a critical analysis of the madrigals and provided an overview of English prosody and a guide for reading.

Broadview Anthology of British Literature: Volume One: The Medieval Period. Prepared a unit on the poet John Gower, including edited selections from his works and an “In Context” set of supplemental readings. A fuller version is available on the website of that press: http://www.broadviewpress.com/babl/index.php?option=com_content&task=vie...

"Chaucer's Knight."  In Chaucer's Pilgrims: A Guide to the Professions in the Canterbury Tales.  Ed. Robert and Laura Lambdin.  (Greenwood Press, 1996): 1-13.  

"Boccaccio and Feminism." in Medieval Women: An Encyclopedia.  Ed.  Nadia Margolis and Katherina M. Wilson.  (New York and London: Routledge, 2004).

 

Work In Progress (for peer-reviewed publications)

          Editions in Progress

Hm 143 a Huntington Library Manuscript of the C-text of Piers PlowmanThe Piers Plowman Electronic Archive.  With Hoyt and Gayle Duggan and Patricia Bart.   Also on line: http://piers.iath.virginia.edu/index.html

York University Library , Borthwisk Add ms 196 (W) A Manuscript of the C-text of Piers PlowmanThe Piers Plowman Electronic Archive.  For this ms, I am part of a team of transctribers and editors in a groupr editing project in progress.

 

 

Book Reviews

Note: some of my book reviews are published not in print but in the on-line journal, “The Medieval Review” at: http://quod.lib.umich.edu/t/tmr/; their citation method is yr/mo/day

 

Scribes and the City: London Guildhall Clerks and the Dissemination of Middle English Literature 1375-1425. Linne R. Mooney and Estelle Stubbs.  The Medieval Review, 14.08.06.

Probable Truth: Editing Medieval Texts from Britain in the 21st-century. Ed. Vincent Gillespie and Anne Hudson. Yearbook of Langland Studies, 2014.

William Langland, Piers Plowman: A Parallel-Text Edition of the A, B, C and Z Versions.  Edited by A. V. C. Schmidt. Kalamazoo: Medieval Institute Publications, 2011. Second edition. JEGP Vol.112.3 (2013): 394-396.

William Langland, Piers Plowman: A Parallel-Text Edition of the A, B, C and Z Versions. Volume II: Introduction, Textual Notes, Commentary, Bibliography, and Indexical Glossary.  By A. V. C. Schmidt. JEGP Vol 111. Number 1 (January 2012): 127-30.

In Strange Countries: Middle English Literature and its Afterlife. Essays in Memory of J.J. Anderson. Ed. David Matthews. TMR 12.03.01.

Medieval Grammar and Rhetoric:  Language Arts and Literary Theory AD 300-1475, Rita Copeland with Ineke Sluiter. TMR 11.5.07

Desiring Bodies: Ovidian Romance and the Cult of Form. Gregory Heyworth. Studies in the Age of Chaucer 32 (2010): 417-420.

The Seven Seals of the Apocalypse, ed. Francis X Gumerlock. TMT 10.10.2.

Design and Distribution of Late Medieval Manuscripts in England, ed. Margaret Connolly and Linne R. Mooney. The Medieval Review. 10.03.07

Geoffrey Chaucer and the Poetics of Disguise. Esther Casier Quinn. The Medieval Review. 09.10.10.

Excrement in the Late Middle Ages: Sacred Filth and Chaucer’s Fecopoetics. Susan Signe Morrison. Speculum. 85.2. (May 2010): 440-41.

The Masculine Self in Late Medieval England. Derek G. Neal. University of Chicago Press, 2008. Clio 2009, Vol 38 no. 3: 359-64.

Allegory and Sexual Ethics. Noah D. Guynn. Speculum 84.1 (January 2009): 150-52.

Manmade Marvels in Medieval Culture and Literature. Scott Lightsey. Yearbook of Langland Studies. 2009.

Chaucer’s Queer PoeticsSusan Schibanoff.  Speculum. 83.3 (July 2008): 748-50.

The Writings of Julian of Norwich. Edited by Nicholas Watson and Jacqueline Jenkins. The Medieval Review 07.10.28.

The Legend of Good Women: Context and Reception. Edited by Carolyn P. Collette. JEGP. 107 No. 4 (October 2008): 530-33.

Ovid’s Art and the Wife of Bath: The Ethics of Erotic Violence.  Marilyn Desmond. Studies in the Age of Chaucer 29 (2006): 482-85.

Translating Desire in Medieval and Early Modern Literature, ed. Craig Berry and Heather Richardson Hayton. Comparative Literature Studies 44 No. 3 (2007): 353-55.

The Siege of Jerusalem, ed. Michael Livingston, The Medieval Review. 06.09.15

Intercies: Studies in Middle English and Anglo-Latin Texts in Honour of A. C. Rigg, ed. Richard Firth Green and Lynne R. Mooney, The Medieval Review 06.01.17.

Abandoned Women:  Rewriting the Classics in Dante, Boccaccio, and Chaucer.  Susan Hagedorn. JEGP, 104 No. 3 (July, 2005): 400-402.

Francesco Petrarch, Petrarch on Religious Leisure, ed. and trans., Susan S. Schearer, The Medieval Review 04.02.43.

Representing Rape in Medieval and Early Modern Literature, ed. Elizabeth Robertson and Christine M. Rose.  Studies in the Age of Chaucer 25 (2003): 416-20.

Thomas Hoccleve 'My Compleinte' and Other Poems, ed. Ellis, Roger, The Medieval Review 02.09.42.

Rape and Ravishment in the Literature of Medieval England.  Corinne Saunders.  Le Cygne. Volume 1, New Series (Fall 2002): 41-44.

The Postcolonial Middle Ages, ed. Jeffrey Jerome Cohen. The Medieval Review 01/10/16.

Glamorous Sorcery: Magic and Literacy in the High Middle Ages, David Rollo.  Speculum 77 (October, 2002): 1386-88.

Richard the Redeless and Mum and the Sothsegger, ed. James Dean, James. The Medieval Review 01/09/20.

Writing East:  The “Travels” of Sir John Mandeville, Iain Macleod Higgins.  Aurthuriana. 2000.

New Medieval Literatures, ed.  Scase, et al.  The Medieval Review, 99.03.16.       

Boccaccio’s Dante and the Shaping Force of Satire, Robert Hollander. The Medieval Review 98.06.09.

Medieval Christian Perceptions of Islam, ed. John Tolan.  The  Medieval Review,  97.09.07.

Geoffrey Chaucer's Wife of Bath, ed. Peter Beidler.  The Medieval Review 96, 10, 15.

Rhetoric, Hermeneutics, and Translation in the Middle Ages, Rita Copeland. Philosophy and Literature, 19, Number 2 (October 1995).

The Complete Works of the Pearl Poet, Casey Finch.  The Medieval Review 95, 4, 5.

Christ's Body, Sarah Beckwith.  Philosophy and Literature, l8, Number 2 (October l994).

Bodytalk, E. Jane Burns.  Philosophy and Literature, l8, Number 2 (October l994).

Women's Lives in Medieval Europe:  A Sourcebook, ed. Emilie Amt. The Medieval Review, 94, 9, 10.

A Legend of Holy Women, Trans. Sheila Delany. The Medieval Review, 94, l, 4.

The Tragic and The Sublime in Medieval Literature, Piero Boltani.  Philosophy and Literature 18, Number l (April l994).

 

RECORDED PERFORMANCES OF MEDIEVAL POETRY

Organizer, Director and performer in the Middle English Cleanness, produced by the Chaucer Studio, 2005 and recorded at the 38th Annual International Conference of Medieval Studies, Kalamazoo, MI, May 2003. http://creativeworks.byu.edu/chaucer/

“Absolon” in The Miller’s Tale, Produced by the Chaucer Studio, 1997.  NCS Readings 11. Recorded at the Tenth International Congress of the New Chaucer Society, UCLA, Los Angeles, CA, July 1996. http://creativeworks.byu.edu/chaucer/

Organizer, direstor, performer in Piers Plowman produced by the Chaucer Studio in 2011, 2013 and recorded at the 2009 meeting of the Medieval Association of the Pacific. http://creativeworks.byu.edu/chaucer/

 

PAPERS PRESENTED AT NATIONAL, INTERNATIONAL AND REGIONAL CONFERENCES

 

 

Textual Reform and Resistance in the editing of Hm143 (X), a Piers Plowman manuscript in the Huntington Library. The 2015 Annual Mereting of the Medieval Association of the Pacific, April 10, 2015, University of Nevada at Reno.

“Grit, Pride, and Empowerment in the Teaching of Medieval Literature at CSULA” CSULA Symposium on University Teaching, March 14, 2015.

“Piers Plowman and Diversity.” Roundtable Discussion. 49th International Congress on Medieval Studies. Kalamazoo, MI, May 2014.

“Teaching Cleanness.” 49th International Congress on Medieval Studies. Kalamazoo, MI, May 2014.

“Langland’s Failed Revisions across the A, B and C texts of Piers Plowman.” The 2013 Annual Meeting of the Medieval Association of the Pacific. March 30, 2012. The University of San Diego.

 

“Is Piers Plowman really a Dream Vision?” The 2012 Annual Meeting of the Medieval Association of the Pacific. Friday, March 30, 2012. Santa Clara University.

“Dream, interpretation and authority in Piers Plowman.” ALSCM Annual Conference. Claremont McKenna College March 10, 2012.

Human Learning and Salvation in Pre-Reformation Literature in England. Conference on Modernity, Critique, and Humanism, California State University, Los Angeles. February 12-13.

“Langland and Gower.”  Medieval Association of the Pacific Annual    Meeting. University of Puget Sound. 2010.

Hm128 as a Medieval Book. Annual Meeting of the New Chaucer Society, Siena, Italy, July 2010.

“Hm 128, a Piers Plowman Manuscript as a “Medieval Book.” Medieval Association of the Pacific Annual Meeting. University of New Mexico. March 7, 2009.

“Alliterative Wombs and the Wars of Alexander.”  International Congress on Medieval Studies, Western Michigan University, Kalamazoo, May 2008.

“Will and Troilus.”  Medieval Association of the Pacific Annual Meeting. UCLA, March 3, 2007.

“Sexual Stamina and Competition in Boccaccio and Chaucer.” 122nd Annual MLA Convention, Philadelphia PA, December, 2006.

“Being a Man in the Troilus and Piers Plowman,” International Congress on Medieval Studies, Western Michigan University, Kalamazoo, May 2006..

“Correction, Erasure, and Authority in Hm 143, a C-text of Piers Plowman.”  Presented at the Third Annual Meeting of the Editorial Board of the Piers Plowman Electronic Archive, UVA, Charlottesville, VA August, 2005.

“Dorigen’s Flirtations and Chaucer’s Boccaccian Depiction of Women’s Language” presented at Words of Love and Love of Words, a conference held at the University of Arizona, April 30, 2005.

"Chaucer's Franklin' Tale and Woman's Boccaccian Language."  Biannual meeting of the New Chaucer Society, University of Glasgow, Glasgow, Scotland, July 19, 2004.

"Prostitutes in the C-Text of Piers Plowman." Joint Meeting of the Medieval Academy of America and the Medieval Association of the Pacific. University of Washington, Seattle WA,  April 2004.

Uncertainty and Ambiguity in the Editing of MS HM 128 of Piers Plowman."  International Congress on Medieval Studies, Western Michigan University, Kalamazoo, May 2003.

"Teaching Chaucer to Ethnically Diverse Populations." Panel Discussion. New Chaucer Society Meeting, U. of Colorado at Boulder, July 2002.

"Some Observations on the MSS. of the Prick on Conscience in the Huntington Library."  International Congress on medieval Studies, Western Michigan University, Kalamazoo, May 2002. Also session organizer.

"Male Piety and Sexuality in Boccaccio's Decameron." Conference on Holiness and Masculinity.  University of Huddersfield, Huddersfield, England, July 2001.

"Space, Secrets, and the Search for Privacy in the Lais of Marie de France."  International Medieval Congress at Leeds, July, 2001.

"Tracing the Patterns of Scribal Intervention in Hm 128, an early 15th-century ms. of the B text of Piers Plowman." Re-Marking the Text. University of St. Andrews, Scotland, July, 2001.

"Images of Male Impotence in Late Medieval Narrative." Meeting of the Medieval Academy, Arizona State University, March, 2001.

"On Editing Hm 128:  the B text of Piers Plowman." Panel Presentation. 35th International Congress on Medieval Studies. Western Michigan University, May, 2000.

"Becoming Male in Ovid's Metamorphoses and Boccaccio's Decameron.  35th International Congress on Medieval Studies. Western Michigan University, May, 2000

“The Sexual Initiation of the Young in Ovid’s Metamorphoses and Boccaccio’s Decameron.  American Association of Italian Studies, Eugene Oregon, April 15th, 1999.

"Teaching the Modern Field of Folk:  Class, Ethnicity and Medieval Studies."  31th. International Congress on Medieval Studies, Western Michigan University, May, 1997.

"Caliban in the Southland:   Poetics, Politics and Teaching Shakespeare's Tempest."  Sixth Annual CSU Shakespeare Symposium, CSULA, Nov. 22, 1996.

"The Harassment of Modthryth and Feminist Politics in the Medievalist's Classroom."  30th International Congress on Medieval Studies, Western Michigan University, May, 1996.

"Between Despair and Ecstasy:  Marco Polo's Life of the Buddha."  Medieval Academy Meeting, in Kansas City, 4, 96.

"Sex and Spirituality in Marco Polo's Far East."  South East Medieval Association Meeting,  College of Charleston, 9, 95.

"Medieval Travelers in the World of Suzie Wong"  30th International Congress on Medieval Studies, Western Michigan University, May, l995.

"Feminism and the Packaging of Boccaccio's Fiammetta."  29th International Congress on Medieval Studies, Western Michigan University, May, l994.

"God's Praise of Heterosexual Love in the Middle English Cleanness." Southeastern Medieval Association Conference, New Orleans, Louisiana, September, l993.

"Ovid and the Female Voice in the De Amore and the Letters of Abelard and Heloise."  28th International Congress on Medieval Studies, Western Michigan University, May l993.

"'He do the women in different voices': Three Medieval Ovidian Arts of Love." Southeastern Medieval Association Conference, College of William and Mary, September, 1992.

"'New Armor for the Amazons': The Wife of Bath and a Genealogy of Ovidianism.":  27th International Congress on Medieval Studies. Western Michigan University, May l992.

 

PRESENTATIONS AND INVITED LECTURES (SELECTED)

 

 

Piers Plowman and History. CSULA Department of History Colloquium, September, 2012.

Zhejiang University, September 17, 2012: The Moral, Spiritual, and Religious Doctrines of Geoffrey Chaucer, the Premier Poet of the English Middle Ages.

Hangzhou Normal, University September 19, 2012.. Character, Ethics, and Society in Chaucer: The General Prologue to the Canterbury Tales.

"Editing Piers Plowman and Teaching the Medieval Past" Studies in/of Narrative: Four Critical Essays on Social Facsimiles and Fractured Images of Everyday Life. CSULA Arts and Letters “Powerful Visions” series, Feb 8. 2008 Huntington Library.

"Reading Hm128, a 15th-century Piers Plowman manuscript in the Huntington Library, as a medieval anthology"Center for Medieval and Renaissance Studies Inaugural Graduate Conference November 15, 2008.

Teaching Piers Plowman to a 21st-Century Student Body. Loyola Marymont University, October 15, 2007

Contemporary Masculinity Studies and Alliterative Wombs. University of California at Riverside, Mellon Lecture Series, October 8, 2007

Presentations on English poetry and poetics to students in the “Three Summer Masters of Music Program in Choral Conducting,” 2002, 2002, 2005, 2007, 2008.

“Editing the Piers Plowman Manuscripts at the Huntington Library.    Brown Bag Lecture Series, Huntington Library, September, 2005

“The Perfect Marriage: Text and Music in the Madrigal.” Western Division Convention of the American Choral Directors Association. Hilton Hotel, Las Vegas, NV, February 27, 2004

The Perfect Marriage: Text and Music in the Madrigal” CSULA Faculty Colloquium, February 2003.

 

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Dr Seonagh Odhiambo Horne

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Seonagh Odhiambo Horne
College of Arts and Letters
Department of Music Theatre and Dance
Email: sodhiam@calstatela.edu Office Location: KH 5104

James Ford

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College of Arts and Letters
Phone: 323-343-4081
Department of Music, Theatre and Dance
Email: jford@calstatela.edu Office Location: MUS

Music Faculty

James Ford, III


Professor of Trumpet and Jazz Studies

 

James Ford joined the Department of Music faculty in 2003.  He teaches studio trumpet and courses in jazz studies.  He is the current director of the CSULA Jazz Orchestra.

James Ford, III is a native of Georgia. Since moving to Los Angeles in 2003, he has established an impressive reputation as an accomplished all-around trumpet player. Dr. Ford’s dexterity and warm sound has allowed him to cross many musical boundaries. He performs in diverse musical settings including big band, small groups, orchestral, chamber, pop, and early music ensembles. Ford continues to experiment and broaden his musical palette. He is a member of the Clayton-Hamilton Jazz Orchestra and the Benjamin Wright Orchestra.  Ford has played in venues in Europe, Asia, South America, South Africa, Canada, and throughout the U.S.  A few of the artists he has performed and/or recorded with include The Los Angeles Opera, Justin Timberlake, Aretha Franklin, Gladys Knight, Joss Stone, Michael Buble, Celine Dion, Queen Latifah, Paul Anka, Leon Russell, Renee Olstead, Eric Benet, The Temptations, Earth, Wind & Fire, Englebert Humperdink, John Pizzarelli, among many others.

Dr. Ford holds the Doctor of Musical Arts from the University of North Texas.  He also holds the Master of Music and Master of Music Education from University of North Texas and the Bachelor of Music from Valdosta State University.

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Domnita Dumitrescu

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College of Arts and Letters
Phone: (323) 343- 4235
Department of Modern Languages & Literatures
Email: ddumitr@exchange.calstatela.edu Office Location: KH




my picture


Domnita Dumitrescu
Professor of Spanish Linguistics, Emerita
College of Arts and Letters
Department of Modern Languages and Literatures
King Hall D -3086
(323) 343- 4235
Fax (323) 343-4234
ddumitr@exchange.calstatela.edu

Introduction
Educational background
Teaching experience and interests
Research interests, and projects
Publications
  Books
  Selected Chapters In Books and Proceedings Volumes
  Selected Journal Articles
  Some recent book reviews
  Some Translations From Spanish Into Romanian
  Interviews
 Television participation

Introduction:

Before coming to the United States in 1984, Domnita Dumitrescu taught Spanish language, linguistics and literature at the University of Bucharest ( Romania ), as an Assistant, then Associate, Professor in the Department of Romance Languages and Literatures, founded by the great Romanian linguist Iorgu Iordan, of whom she was a close disciple. She also taught Spanish on public Romanian television, and she earned a reputation as one of the best translators and interpreters from Spanish into Romanian in her native country.

She came to California State University, Los Angeles, in the Fall of 1987, while still working on her doctoral dissertation at USC, which she completed in December 1989 with the help of a CSU Forgivable Loan/Doctoral Incentive Program for Minorities and Women. She was awarded early tenure and promotion in 1990, and became full professor in 1995. She entered the  Faculty Early Retirement program in September 2011, when she became an Emerita. She will be teaching 5 courses, over three quarter, until the summer of 2016, when her FERP contract will end.

In addition to her teaching assignments and her numerous professional activities, between 1989 and 1999, she assumed leadership of the local chapter of the Hispanic Honor Society Sigma Delta Pi, and resumed this activity between fall 2003 and spring 2005.She coordinated the supervision and training of the Spanish Teaching Associates until 1994, and served, between 2000 and 2002, and then in 2004-2005, as coordinator of the Spanish section . Her committee service includes the most important personnel committees in the department and at the college level, and a number of university subcommittees of the academic senate, as well as service on the academic senate itself for several years, and on the OPA selection committee. She also served, for two years, as Director of Teatro Universitario en Español.  In 2004-2005, she served as Head of the Task Force for developing a new Subject Matter Preparation Program for prospective teachers of LOTE (Languages Other Than English), which was approved in 2008.

She is the recipient of a Fulbright Senior Scholar Lecturing Award in Argentina (1993), of the José Martel Prize for her activity as a Sigma Delta Pi adviser (1995), and of the Orden de los Descubridores, and Orden de Don Quijote, awarded by Sigma Delta Pi to outstanding Hispanists (in 1997 and 2003, respectively); she is listed in several Who's Who volumes, including Who’s Who in the World,Who's Who in America, Who's Who in American Education, Who’s Who of Romanian-Americans, and the International Who's Who of Professional and Business Women. Inducted into the Honor Society of Phi Kappa Phi in 1997, she won the Teacher of the Year Award from the American Association of Teachers of Spanish and Portuguese in 2000, and was included in 2000 Outstanding Scholars of the  20th Century, published by the International Biographic Center, Cambridge, U.K. In 2002, she earned the California State University Los Angeles Distinguished Woman Award, and in 2007 she was the CSULA nominee for the  Wang Family Excellence Award (in the category of Visual and Performing Arts and Letters). In 2004,  CSULA bestowed upon her its Outstanding Professor Award for 2003-2004, and in 2008 she was the recipient of the CSULA President’s Distinguished Professor  Award.

Between 1996 and 2001, she served as associate editor of Hispania, the official journal of the American Association of Teachers of Spanish and Portuguese (AATSP),  preparing -four times a year-the section entitled “The Hispanic and Luso-Brazilian World.” Since January 2011, she has served as Book/Media Review Editor for Hispania, the scholarly journal of the American Association of Teachers of Spanish and Portuguese. She is currently serving on the Editorial Board of Language and Dialogue (published by John Benjamins), Journal of Spanish language Teaching (published by Routledge), and Sociocultural Pragmatics/Pragmática Sociocultural (published by De Gruyter)

Between 2002 and 2005, she also served as associate editor of the Southwest Journal of Linguistics, the journal of the Linguistic Association of the Southwest (LASSO), and she is a frequent manuscript evaluator for several peer reviewed journals (including Hispania  and Journal of Pragmatics, as well as the interdisciplinary program EDICE) and for several publishing houses. She has also served, on several occasions, as faculty consultant at the Spanish Advanced Placement Reading, in San Antonio, TX, and on the California Teacher Credentialing Advisory Panel. Finally, she served as an external evaluator for several universities in the US, including CUNY and San Diego State University, among others (tenure and promotion committees, and department reviews).

She served  on the Executive Council of the American Association of Teachers of Spanish and Portuguese as College/University Representative (term 2009-2011). She has been appointed Honorary President of the Hispanic Honor Society Sigma Delta Pi in July 2010, and she serves as permanent liaison between the AATSP and Sigma Delta Pi, as well as liaison between the AATSP and the MLA for the 2013 and 2014 MLA Conventions. In March 2011, she was elected  Corresponding Member of ANLE (North American Academy of the Spanish Language, affiliated with the Spanish Royal Academy in Madrid), and was appointed president of the Commission on the Study of Spanish in the United States. She was elected full ANLE member in February 2013 and she delivered  her acceptance speech, entitled "El cambio de código en la literatura hispanounidense: cómo, dónde y por qué" on March 29 of the same year, in New York, at the King Juan Carlos Center of CUNY.Shortly after, she was elected  Corresponding member for the US of the Spanish Royal Academy in Madrid, Spain.

Educational background:

Ph.D. in Spanish (Linguistics concentration), May 1990, University of Southern California, Los Angeles, California. Dissertation title: "The Grammar of Echo Questions in Spanish and Romanian: Syntax, Semantics, Pragmatics." Director: Professor Mario Saltarelli.

M.A. in Spanish (Linguistics concentration), December 1987, University of Southern California, Los Angeles, California.

Diploma (equivalent to Master of Arts degree) in Spanish Language and Literature (major) and Romanian Language and Literature (minor), June 1966, University of Bucharest, Bucharest, Romania (graduated Summa Cum Laude, highest GPA in the country). Thesis: "La lengua y el estilo de Ramón del Valle-Inclán."Director: Professor Iorgu Iordan.

 

Teaching experience and interests:

Domnita Dumitrescu has taught a wide variety of language and linguistics courses at both the graduate and undergraduate level, with special emphasis on the grammatical structures, the sociolinguistic variation, and the pragmatic use of contemporary Spanish. She has also taught courses in Peninsular literature and civilization, in comparative Romance linguistics and philology, and in French and Romanian language.

Among the courses that she has taught at CSLA since 1987 are: Spanish 100 A,B,C (Elementary Spanish); Spanish 105 (Spanish for Native Speakers); ML 140: Modern Languages and the Criminal Justice System; Spanish 200 A,B,C (Intermediate Spanish); Spanish 205 A,B (Intermediate Spanish for Native Speakers); Spanish 300 A,B (Composition and Grammar); ML 300 (Linguistic Diversity in Urban America- GE upper division course – taught online); Spanish 305 (Introduction to Spanish Linguistics); Spanish 310 (Civilization of Spain); Spanish 320 (Phonetics/Phonology); Spanish 380 (Commercial Spanish- taught on line); Spanish 400A (Spanish Morphology); Spanish 400B (Syntax); Spanish 402 (Spanish in the US); Spanish 403 (Grammatical Structures of Spanish and English); French 403 (Grammatical Structures of French and English); Spanish 428 (The Generation of 98); Spanish 459 (Hispanic Play Production); Spanish 461 (Special topic course in linguistics: Sociolinguistics Aspects of Verbal Politeness in the Hispanic World); Modern Languages 496 (Instructional Practicum); Spanish 500 (Academic Writing in Spanish); Spanish 501 (History of the Spanish language); Spanish 506 (Semantics and Pragmatics); Spanish 510 (Sociolinguistic Patterns in Spanish); Spanish 540 (Contemporary Spanish Poetry).

At the University of Southern California, she has taught (between 1990and 2002, as an occasional  part-time lecturer): Spanish 266 (Spanish for Communication: Arts and Sciences); Spanish 280 (Introduction to Hispanic Linguistics); Spanish 311 (Advanced Oral Communication and Applied Phonetics; and, in a new format, Spanish language through contemporary issues: Oral emphasis); Spanish 312 (Advanced Composition and Grammar); Spanish 408 (Morphophonology of Spanish); Spanish 412 (Spanish Syntax and Semantics). At the University of California in Irvine, as a visiting professor, she taught Spanish 113A (Phonetics - undergraduate) in Spring 2000, and was again invited to teach Spanish 201 (History of the Spanish Language- graduate course) in Winter 2001. Occasionally, she has also taught Intermediate Spanish classes at Pasadena City College.

During a sabbatical leave, in the fall of 1993, she taught in Argentina, as a Fulbright Scholar, courses in Discourse Analysis, Communicative Second Language Teaching, Contrastive Analysis of Spanish and English, and Second Language Acquisition, at the Instituto Nacional Superior del Profesorado en Lenguas Vivas "Juan Ramón Fernández" in Buenos Aires, and the Universities of Buenos Aires, San Juan, Tucumán, Córdoba, Salta, and Del Comahue. She also gave several workshops on competency-based foreign language teaching, including a two day workshop at the Asociación Rosarina de Intercambio Cultural Argentino-Norteamericano (ARICANA).

Professor Dumitrescu is interested in constantly updating, improving and expanding the Spanish linguistics course offerings at CSLA, and in keeping abreast with the newest methodologies in the field. She has designed a number of linguistics courses for the Spanish majors and/or graduate students, which have been introduced into the curriculum; their subjects include sociolinguistics of the Spanish speaking world, semantics and pragmatics, morphology, introduction to Hispanic linguistics, a seminar on special topics in linguistics, and an advanced writing course for academic purposes, as well as a language diversity course for the GE program.  She also developed online versions of Spanish 380 and ML 300, and a new upper-division course, on Spanish in the United States , which was offered for the first time in Spring 2009 and became part of the Spanish curriculum. She has made several program modifications of the BA and MA degrees in Spanish and she co-authored the linguistics part of the Spanish Assessment Exam, currently offered to graduating Spanish majors.

 

Research interests, and projects:

Domnita Dumitrescu's research interests include the areas of syntax, semantics and in particular pragmatics of the Romance languages--with special emphasis on Spanish and Romanian. She is also interested in researching linguistic aspects of literary texts, and language contact in either second language learning environments or situations of societal bilingualism. In the past, she has also extensively researched topics in translation theory and practice, foreign language pedagogy and contrastive grammar, comparative literature (especially the reception of Spanish authors in Romania , or the influence of Spanish authors on Romanian writers), and Peninsular literary history.
Recently, in addition to her interest in Spanish as a heritage language, she has been  studying the academic community’s attitudes toward  the Spanish spoken in the US , in particular the mixture of Spanish and English known as Spanglish. In parallel, she has also been studying  the linguistic variation in the expression of verbal politeness in the Hispanic world, and the acquisition of verbal politeness in Spanish by speakers of English. She is an active  member of  EDICE (Estudios sobre el Discurso de Cortesía en Español), an international research group hosted at Stockholm University. She also became interested in new linguistics and literature topics as diverse as conversation analysis in Spanish, the influence of English on the Romanian spoken in the US by first and second generation immigrants, the syntax and semantics of focused pronouns and clitic-doubled constructions in Spanish and Romanian, and images of exile in Argentinean women writers like Alina Diaconú.

At California State University, Los Angeles, she presented two Faculty Colloquia, one (1993) on the historical development of Romanian and its place among the other Romance languages, and another one (1996) on the cross-cultural pragmatics of conversational routines used for thanking, apologizing and complimenting in several languages of the world. She gave  her President’s  Distinguished Professor Address before the Academic Senate  in May 2008, with the title: “Spanish in the United States : Lessons from the past and challenges for the future.”
She has also sponsored the research of two students who became Mc Nair Scholars and earned several prizes at student competitions both at the local and the national level. She served on several MA Thesis Committees outside of her own department, and provided scholarly guidance to numerous CSULA graduates who pursued graduate careers in linguistics. She was the principal opponent at the doctoral dissertation defense of Susanne Henning at the University of Stockholm in September 2015 and is currently a member of the dissertation committee of Emily Bernate, at the University of Houston.

Domnita Dumitrescu is a frequent presenter at national and international meetings of the profession, in particular periodical meetings of the learned societies to which she belongs, such as Asociación Internacional de Hispanistas, American Association of Teachers of Spanish and Portuguese, Modern Language Association of America, International Pragmatics Association,  Asociación de Lingüística y Filología de la América Latina, Romanian Studies Association of America, Linguistic Association of the Southwest, and the International Programa EDICE (Estudios sobre el discurso de cortesía en español). She has organized and chaired many special sessions and panels at such scholarly meetings, and she has held several offices in the above-mentioned professional organizations. Among others, she was the president of the Southern California Chapter of the AATSP, and the President of the Romanian Studies Association of America. From 1995 to 2007 she served as the Sigma Delta Pi National Vice-President for the West. She also served on the Executive Committee of the MLA Division on Language Theory, on the MLA Delegate Assembly, and on the Executive Committee of the Linguistic Association of the Southwest.  She is currently the  delegate for  the US and Canada of  the Association  of Linguistcs and Philology of Latin America (ALFAL). She was the Linguistic Association of the Southwest (LASSO) 2005 president, and delivered her presidential address at Texas Tech University, in Lubbock, Texas, on October 7, 2005.At Cal State LA, she has been involved with the  Latino Book and Family Festival, held on campus in October 2009, and the co-organization of  the Octavio Paz International Conference, held on campus in May 2010.She organized the conference and poetry reading by Luis Alberto Ambroggio at CSULA, on November 28, 2012, in collaboration with the Center for Contemporary Poetry and Poetics, and is currently organizing the7th  international conference  of the Programa EDICE in March 2016 at CSULA, in collaboration with  USC, the University of Stockholm, the North American Academy of the Spanish Language and the Cervantes Institute in New York.

She has given more than150 scholarly presentations at congresses and conferences held in the US, Canada, Mexico, Argentina, Panama, Puerto Rico, Costa Rica, Uruguay, Spain, Italy, Germany, France, Hungary, and Romania, and was invited as a guest of honor to deliver two plenary addresses at the I Congreso Internacional de Didáctica y Metodología del Español in Montevideo (Uruguay), August 1994. She was also invited to deliver a plenary address at the Jornadas de lingüística aplicada a la enseñanza de la lengua (San Carlos de Bariloche, November 1993), and to coordinate an Encuentro de Investigadores at the XI Congreso Internacional de la ALFAL (Las Palmas de Gran Canaria, August 1996). In 1997, the Linguistic Society of America awarded her a National Science Foundation competitive travel grant to participate in the International Congress of Linguists, in Paris. Among other places, she gave invited lectures on Spanish in the US at the  University of Costa Rica, in San José, in July 2008, at at the University of Alicante, in September 2010, as well as at the Spanish bookfair (Leala) in Los Angeles, in 2012.

As for Domnita Dumitrescu's publications, she is the author of a book on Spanish pragmatics (in English), the co-editor of  book on Spanish in the US (in Spanish), three books on the structure of Spanish and on the theory and practice of translation from Romanian into Spanish (in Romanian), and the editor of a volume on cultural relations between Romania and the Hispanic world. She is also the author of more than 50 chapters in books and proceedings volumes, and more than 60 articles in scholarly journals published in Europe, Latin America and the United States. She has also translated into Romanian several major works of modern peninsular literature by Carmen Martín Gaite, Emilia de Pardo-Bazán, Gustavo Adolfo Bécquer, Ignacio Aldecoa, Ramón del Valle-Inclán, etc, and she published more than 75 book reviews and book notices, as well as other miscellaneous materials of professional interest.

Her current collaborative projects include:

An electronic bibliography of all the linguistic publications on Spanish in the US, joint project of the North American Academy of the Spanish Language and  the Observatori de la lengua española y las culturas hispánicas en los Estados Unidos, at Harvard University. The Official launching of the completed project will take place on May 9, at the Cervantes Institute in New York, in a ceremony  organized in collaboration with the North American Academy of the Spanish Language.

Working as ANLE representative in the ASALE commission  for the elaboration of the next edition of the Dictionary of the Spanish language (DLE)

A selected list of representative publications follows.

Publications (in chronological order):

Books:

- Gramatica limbii spaniole prin exercitii structurale [Spanish Grammar through Structural Activities], Bucuresti, Editura Stiintifica si Enciclopedica, 1976, 390 pp.

- Indreptar pentru traducerea din limba romana in limba spaniola [Guide to the translation from Romanian into Spanish], Bucuresti, Editura Stiintifica si Enciclopedica, 1980, 334 pp.

- Edition of: Din istoria relatiilor culturale hispano-romane [On the History of the Hispano-Romanian Cultural Relations], Tipografia Universitatii din Bucuresti, 1981, 202 p. (Bibliography with comments and an extensive introductory study).

– (Vreti sa stiti daca stiti …..) Limba spaniola?  [(Do you want to know if you know…)The Spanish Language?] (co-authored with Dan Munteanu, from the University of Las Palmas de Gran Canaria, Spain ), Bucuresti, Editura Niculescu., 2005, 372 pp. (launched at the Cervantes Institute in Bucharest, July 1, 2005)

- Aspects of Spanish Pragmatics, Peter Lang, New York, 2011, 390 pp.

http://www.peterlang.com/download/datasheet/53866/datasheet_310443.pdf

Excerpt from a review published by Frank Nuessel, from the University of Louisville, in Lingua 121.15 ( December 2011):“All ten essays demonstrate D[umitrescu].’s careful scholarship, astute, nuanced observations about various aspects of politeness (thanking, apologizing, complimenting, wishing, and so forth).Furthermore, the author’s discussion of the emerging and very important field of interlanguage pragmatics merits praise because this is an ignored area in theory and practice. It should be further noted that D. has a complete command of the existant research, which is evident in her discussion of the theoretical foundations of her research. Because she uses excellent databases as well as her own empirical research, her claims and hypotheses about the various aspects of pragmatics are credible. Finally, D. investigates areas of pragmatics that have received either very little previous attention” (2190).

Excerpt from a review published by Milton Azevedo, from UC Berkeley, in Journal of Pragmatics 44 (January 2012): "Noteworthy features [of this book] include considerations on the acquisition of pragmatic fluency by L2 speakers, an abundance of examples and chapter notes that clarify and expand on several aspects of each project, and appendices containing samples of questionnaires and informants' replies. Also, in view of the underrepresentation of Romanian in comparative studies, the comments on examples in this language, found throughout the book, are a particularly enriching feature. Besides being a very informative and thought-provoking contribution to the field, A(spects of )S(panish)P(ragmatics) suggests points of departure for further research and suitable topics for discussion in advanced seminars".

Excerpts from a review by Razvan Saftoiu, from the Transilvania University of Brasov, Romania, published in Language and Dialogue 2:2 (2012), 306-312: “In Aspects of Spanish Pragmatics,Domnita Dumitrescu succeeds in grasping the diversity of the field of pragmatics and, at the same time, she opens new paths for further research such as computer-mediated communication in an academic environment.  A strong point of this book is the efficient use of authentic data, which were gathered from various sources … Probably the strongest point of this book is the cross-linguistic and the cross-cultural perspective adopted in the analysis of various pragmatic aspects and the suggestions for  further comparative and contrastive research. (311)

Other positive reviews were published in Boletin de la Academia Norteamericana de la Lengua Espanola 14 (2011) by Antonio Pamies, from the University of Granada, Spain, in Revue Roumaine de Linguistique  57.3 (2012)   by Andra Vasilescu, from the University of Bucharest,  in Spanish in Context 11.1 (2014) by María Eugenia Vázquez Laslop, from El Colegio de México, and in Pragmática sociocultural/Sociocultural pragmatics 2.2 (2014) by Carmen García, from Arizona State University

- El español en Estados Unidos: E Pluribus Unum? Enfoques multidisciplinarios (co-edition  with Gerado Piña Rosales). Academia Norteamericana de la Lengua Española, New York, 2013 (403 pp.)

This book was reviewed in Revista Literaria Baquiana, año XV,  nr. 85-86 (Angel López García)- edición digital; Español Actual 99, 2014 (Angel López-García);Confluenze: Rivista di studi iberoamericani, vol. 5, num. 2, 2013 (Elena Errico); Analecta Malacitana: Universida de Málaga, vol. 36, 1-2 (2013) (Francisco Carriscondo Esquivel);LynX, 11, 2014 (Rogelio Rodríguez Pellicer);International Journal of the Linguistic Association of the Southwest, vol. 31, num. 2 (2012) (Michael Woods); RANLE 5 (2014) (M.E. Pelly);Boletin ANLE  2014 (Manel Lacorte); Miriada Hispánica (Mª Dolores García Planelles); Journal of Spanish Language Teaching 1.2 (2014) (Juan Antonio Sempere Martínez); Transfer X: 1-2 (may 2015) (Oscar Santos-Sopena); Spanish in Context 12.2 (2015) (Georganne Weller)

Hablando bien se entiende la gente  II  (edited in collaboration with Gerardo Piña-Rosales, and Jorge Igancio Covarrubias). Santillana, USA, 2014. 200 pp.

 Selected Chapters In Books and Proceedings Volumes :

- "El español en la obra lingüística y filológica de B.P. Hasdeu", Actas del III Congreso Internacional de Hispanistas, México, 1970, pp. 305-314.

-"Procedimientos gramaticales para 'hermetizar' el mensaje poético (en Mallarmé, Valéry, Guillén, y Barbu)", Actele celui de-al XII-lea Congres International de Lingvistica si Filologie Romanica, vol. II, Bucuresti, 1971, pp. 831-837.

- Invatarea limbii [Language Acquisition], T.Slama-Cazacu (editor) - Bucuresti, Centrul De Multiplicare Al Universitatii Din Bucuresti, 1973. Chapter title: "Interferente in invatarea limbii spaniole de catre romani" [Interferences in the learning of Spanish by Romanians], pp. 211-229.

- Manual de limba spaniola. I. Categoriile gramaticale [Spanish Manual I. Grammatical Categories], M. Manoliu-Manea (editor), Bucuresti, Tipografia Universitatii din Bucuresti, 1975 (II ed. revised, 1976). Chapter title: "Persoana si deixisul" [Person and deixis], pp. 54-76.

-"Sobre la terminología cromática en la poesía de la generación del '27", Actas del V Congreso Internacional de Hispanistas, Bordeaux, 1977, pp. 345-354.

- "La metáfora ultraísta y la generación del 27", Actas del Simposio Internacional de Estudios Hispánicos (18 -19 de agosto, 1976), Budapest, Akademiai Kiado, 1978, pp. 171-176.

- Studii de sintaxa a limbii spaniole [Studies in Spanish Syntax], Bucuresti, Tipografia Universitatii din Bucuresti, l979. Chapter title: "Interogatia si negatia" [Interrogation and Negation], pp. 5-69.

- "Situación actual del estudio y de la enseñanza del español en Rumania", Actas del Congreso Internacional de la Asociación Europea de Profesores de Español, Budapest, 1980, pp. 355-364.

- "Federico García Lorca en la visión de Miron Radu-Paraschivescu", Actas del VII Congreso Internacional de Hispanistas, Roma, 1981, pp. 391-398.

- "Estructura léxica del Diván del Tamarit", Actas del IV Congreso Internacional de Hispanistas, Salamanca, l982, p. 409-424 [Also published in Revue Roumaine de Linguistique & Cahiers De Linguistique Théorique Et Appliquée l/l983, pp. 2l-34].

- "Los primeros ecos del descubrimiento de América en la cultura rumana,"Actas del Congreso Internacional sobre Literatura Hispánica en la Epoca de los Reyes Católicos y el Descubrimiento, Dirección: Manuel Criado de Val, Barcelona, Publicaciones y Promociones Universitarias, 1989, pp.592-595.

-"Sintaxis y pragmática de las preguntas cuasi eco en español,"Actas del X Congreso de la Asociación Internacional de Hispanistas (Barcelona, 21-26 de agosto, 1989), publicadas por Antonio Vilanova. Tomo IV, pp. 1323-1338, Barcelona, 1992.

-"Función pragmadiscursiva de la interrogación ecoica usada como respuesta en español,"Aproximaciones pragmalingüísticas al español, ed. by Henk Haverkate, Kees Hengeveld, and Gijs Mulder, Editorial Rodopi, Amsterdam-Atlanta, GA, 1993, pp.51-85 (Diálogos Hispánicos 12) [invited contribution].

-"Estructura y función de las preguntas retóricas repetitivas en español,"De historia, lingüísticas, retóricas y poéticas: Actas Irvine-92, Asociación Internacional de Hispanistas, Editor: Juan Villegas, Vol. I, pp.139-147, 1994.

- "El español en los Estados Unidos: Fenómenos de contacto lingüístico y problemas de política educativa,"Estados Unidos y América Latina: Relaciones Interculturales.(Actas de las XXVI Jornadas de la Asociación Argentina de Estudios Americanos), ed. por Rolando Costa Picazo. Buenos Aires, 1994, pp. 136-167.

-"On The Syntactic Structure And Discourse Function Of The Multiple Constituent Repetitive And No repetitive Questions In Romanian," in: Studi rumeni e romanzi. Ommaggio a Florica Dimitrescu & Alexandru Niculescu, ed. by Lorenzo Renzi and Coman Lupu, Padova ( Italy ), Unipress, 3 vols., 1995. Vol I, pp. 86-114.

-"Tendencias actuales en la medición y evaluación de las destrezas lingüísticas y de la competencia comunicativa implícita", Actas del Congreso Internacional de Didáctica y Metodología para el Desarrollo de la Lengua Materna (18, 19, 20 de agosto de 1994, Montevideo). Sociedad de Profesores de Español del Uruguay, Montevideo, 1995, pp. 30-48.

-"Implicaciones pedagógicas de la enseñanza del español a los hablantes nativos de los Estados Unidos, o el reto del biloquialismo en las clases de SNS (Spanish for Native Speakers)", Actas del Congreso Internacional de Didáctica y Metodología para el Desarrollo de la Lengua Materna (18, 19, 20 de agosto de 1994, Montevideo). Sociedad de Profesores de Español del Uruguay, Montevideo, 1995, pp. 70-80.

- "Sobre la función discursiva de las preguntas que repiten otras preguntas en el español coloquial actual,"Actas del X Congreso Internacional de la Asociación de Lingüística y Filología de la América Latina (ALFAL), edición: Marina Arjona Iglesias, Juan López Chávez, Araceli Enríquez Ovando, Gilda C. López Lara, Miguel Angel Novella Gómez. Universidad Nacional Autónoma de México, México, 1966, pp. 409-418.

-"Romanian and the Non-Nominative Subject Parameter" (in collaboration with Professor Pascual José Masullo, Universidad Nacional del Comahue, Argentina), in: Aspects of Romance Linguistics: Selected papers from the Linguistic Symposium on Romance Languages XXIV, March 10-13, 1994, ed. by Claudia Parodi, Carlos Quicoli, Mario Saltarelli, and María Luisa Zubizarreta, Washington D.C., Georgetown University Press, 1996, pp. 213-226.

-"Un modelo de análisis sintáctico de las preguntas eco en español y rumano": Actas Do XIX Congreso Internacional de Lingüística e Filoloxía Románicas/ Actes du XIX-e Congrès International de Linguistique et Philologie Romanes, Universidad de Santiago de Compostela, publicadas por Ramón Lorenzo, Fundación Pedro Barrie de la Maza (Spain), Vol. I: Lingüística Teórica e Lingüística Sincrónica, 1997.

-"Fenómenos paralelos de contacto con el inglés en el español y el rumano de Estados Unidos."Atti del XXI Congresso Internazionale di Linguistica e Filologia Romanza, Centro di Studi Filologici e Linguistici Siciliani, Università di Palermo, 18-24 settembre 1995, a cura di Giovanni Ruffino. Vol. V: Dialettologia, geolinguistica, sociolinguistica. Max Niemer Verlag, Tübingen 1998, pp. 275-283.

-"'A' personal, duplicación clítica y marcadez: Español porteño vs. español madrileño ", Actas del XII Congreso de la Asociación Internacional de Hispanistas, 21- 26 de agosto, 1995, Birmingham. Tomo I: Medieval y lingüística. Ed. by Aengus M. Ward. Birmingham, the University of Birmingham, 1998, pp. 140-152.

-"Two types of predicate modification: Evidence from the articulated adjectives of Romanian" (in collaboration with Mario Saltarelli). Theoretical Analyses on Romance Languages: Selected papers from the 26th Linguistic Symposium on Romance languages (LSRL XXVI, Mexico City, 28-30 March, 1996). Ed. by José Lema and Esthela Treviño, John Benjamins Publishing Company, Amsterdam/Philadelphia, 1998, pp. 175-192.

- "Subordinación y recursividad en la conversación: Las secuencias integradas por intercambios ecoicos,"La pragmática lingüística del español: Recientes desarrollos, ed. by Henk Haverkate, Gijs Mulder and Carolina Fraile Maldonado, Ed. Rodopi, Amsterdam-Atlanta, GA, 1998, pp. 277-314 (Diálogos Hispánicos Número 22) [invited contribution].

- "Attributive Adjectives in Romance: Toward a Unified Theory of Modification" (in collaboration with Mario Saltarelli, USC). Actes du 16-ème Congrès International des Linguistes (Paris, 20-25 juillet, 1997). Ed. by Bernard Caron. Oxford/Elsevier Sciences, 1998.[CD-ROM version]

-“Language Contact among Heritage Speakers of Romanian in the United States .” Heritage Languages in America : Preserving a National Resource. Ed.by Peyton, J.K. & S.McGinnis. McHenry, Il & Washington, DC: Delta Systems and Center for Applied Linguistics, 2001.

-  “Romanian in Contact with English in the United States : In the footsteps of Cuban-American Spanish?”  Romance Studies Today: In Honor of Beatriz Varela, ed. by Elaine S. Brooks, Eliza M. Ghil and S. George Wolf. Newark, Delaware: Juan de la Cuesta ( Hispanic Monographs), 2004, pp. 165-183.

-“La expresión de buenos deseos hacia nuestro prójimo: ¿Un acto de habla cortés automático?” Pragmática sociocultural:  Estudios sobre el discurso de cortesía en español, ed. by Diana Bravo and Antonio Briz. Barcelona: Ariel, 2004, pp.  265-283.

- “Agradecer en una interlengua: una comparación entre la competencia pragmática de los estudiantes nativos y no nativos de español en California.” Actos de habla y cortesía en distintas variedades de español:  Perspectivas teóricas y metodológicas. Actas del Segundo Coloquio Internacional del Programa EDICE, San Jose de Costa Rica, ed. by Jorge Murillo (CD-Rom edition), 2005. Available also at http://books.google.com/books?id=KUxw9_7Nd7UC&pg=PA5&ots=lgJbehipQB&dq=programa+edice&hl=es&sig=wGtSZl3V-TXwxyzvrwFiU4Kqrsw#PPP1,M1

-  “ A los 35 años de Renga: Octavio Paz y la universalidad del lenguaje poético”.Actas del XV Congreso de la Asociación Internacional de Hispanistas:‘Las dos orillas’, Monterrey, México, del 19 al 24 de julio de 2004,  vol. IV, ed. by Beatriz Mariscal, and María Teresa Miaja,  Fondo de Cultura Económica/AIH/ Tecnológico de Monterrey/El Colegio de México: México, 2007, pp. 135-144.

-“Usos discursivos del adverbio en el español mexicano.” Studii de lingvistică şi filologie romanică: Hommages offerts à Sanda Reinheimer Rîpeanu, ed. By Alexandra Cuniţă, Coman Lupu & Liliane Tasmowski. Bucureşti, Editura Universităţii din  Bucureşti, 233-244  (expanded version  of the item below)

- “Usos discursivos del adverbio en el español mexicano.” El español de América: Actas del VICongreso Internacional “El español de América,” Tordesillas, Valladolid, 25-29 de octubre 2005), ed. by César Hernández Alonso & Leticia Castañeda San Cirilo. Valladolid: Diputación Provincial de Valladolid, 2007, 857-872 (available also in CD-ROM).

-  “El español en los Estados Unidos: La controversia sobre el Spanglish dentro (y más allá ) del mundo académico.” Estudios hispánicos, vol I: Lingüística y didáctica, ed. by Sanda Reinheimer Ripeanu & Mihai Iacob, Bucuresti: Editura Universitatii din Bucuresti, 2008, 137-164

.- “Imagen y (des)cortesía en la comunicación académica por ordenador: un caso concreto.” Cortesía yconversación: de lo escrito a lo oral, ed. by Antonio Briz , Antonio Hidalgo, Marta Albelda, Josefa Contreras & Nieves. Valencia, Estocolmo: Universidad de Valencia, Programa EDICE. 2008, 437-467. (online publication, available also on CD-ROM).Available  at: http://www.edice.org/programa/wp-content/files/3coloquioEDICE.pdf)

 - “Estrategias de cortesía y gestión de imagen en entrevistas con jóvenes caribeños”. Estudiossobre lengua, sociedad y cultura:  homenaje a Diana Bravo, ed. by Nieves Hernández-Flores and Maria Bernal, Stockholm University:  Department of  Spanish, Portuguese and Latin American Studies, 2009, pp.78-106 (available at http://su.diva-portal.org/smash/record.jsf?pid=diva2:235240 and in print- 2010 edition)

- “Sobre la atenuación cortés en español y rumano: unas estrategias comunes.” Actes du XXV-e Congrès International  de Linguistique et Philologie Romanes, publiés par  Maria Iliescu, Heidi Siller-Runggaldier et Paul Danler, Berlin, De Gruyter, 2010, vol. IV, pp. 371-388.

- “Spanglish: An ongoing controversy,” Building Communities and Making Connections, ed. by Susana Rivera-Mills and Juan Antonio Trujillo, Cambridge Scholars, 2010, pp. 136-167 (invited contribution)

-  “Rum. Cică vs. esp.Dizque: Polifonía e intertextualidad”,  Oralia,  Anejo 6, Polifonía e intertextualidad en el diálogo, ed. by Clara Ubaldina Lorda Mur. Madrid: Arco Libros, 2012. Pp. 317-337.

-“El español  y el rumano en  los Estados Unidos: metamorfosis, controversia y ‘pedigrí.’” Traducción y (a)culturación en la era global/Translation and  (Ac)culturation in the Global Era. Ed. Catalina Iliescu Gheorghiu. Alicante: Ed. Aguaclara, 2012. 85-104.

 -“The Representation of Regional Spanish Speech in Literary Dialogues from the Past Century.”   Representations in Dialogue/ Dialogue in Representations: Proceedings of the 13th Conference of the   International Association for Dialogue Analysis (IADA). Ed. Alain Létourneau, François Cooren y    Nicholas Bencherki. Montreal: John Benjamins. 221-233.Online publication.http://iada-web.org/download/representationsindialogue.pdf

- (co-authored with Mircea-Doru Brânza). “Sobre el llamado ‘leísmo de cortesía’ en Hispanoamérica.”Miradas multidisciplinarias a los fenómenos de cortesía y descortesía en el mundo hispano. Ed. Julio Escamilla Morales y Grandfield Henri Vega. Barranquilla y Estocolmo: Universidad del Atlántico y Universidad de Estocolmo: EDICE, 2012. 669-692. Online publication. http://edice.org/blog/2012/11/12/miradas/

-Introducción. El español en Estados Unidos: E Pluribus Unum? Enfoques multidisciplinarios (co-edition  with Gerado Piña Rosales). Academia Norteamerican de la Lengua Española, New York, 2013, pp. 13-27.

- “La búsqueda de la poesía plural y plurilingüe en Octavio Paz”. The Willow and the Spiral: Essays on Octavio Paz and the Poetic Imagination, ed. by Roberto Cantú. Newcastle upon Tyne:Cambridge Scholars Publishing, 2013, pp. 233-243.

“Dude was figureando hard: El cambio y la fusión de códigos en la obra de Junot Díaz.” Perspectives in the study of Spanish language variation: Papers in honor of  Carmen Silva-Corvalán . Special issue of Verba 72. Eds. Andrés Enrique-Arias, Manuel Gutiérrez, Alazne Landa and Francisco Ocampo. Servizo de Publicacións e Intercambio Cientifico:Universidade de Santiago de Compostela, 2014. Pp.397-432 (invited contribution).

 “A manera de prólogo.” Introduction to: Ángel López García-Molins, El español de EE UU y el problema de la norma lingüística.New York: ANLE, 2014 (Invited contribution), pp. 11-31.

“Spanglish, estadounidismos y bilingüismo vestigial:¿Qué es qué?” in Visiones europeas del Spanglish, ed. by Silvia Betti and Daniel Jorques Jiménez. Valencia: Ediciones Uno y Cero, 2015  pp.26-40 (electronic publication)

 

“On the Translations of Carlos Fuentes into Romanian”. The Reptant Eagle. Essays on Carlos Fuentes and the Art of Novel, ed. by Roberto Cantú. Newcastle upon Tyne:Cambridge Scholars Publishing, 2015, pp. 306-312.

“Oraciones interrogativas directas”  and “Oraciones interrogativas indirectas y otras estructuras”.Enciclopedia de lingüística hispánica. Ed. Javier Gutiérrez Rexach. London: Routledge, 2016. Pp. 760-772.(invited contribution)

(Forthcoming): “Español y rumano en contacto con inglés en los Estados Unidos, o  Spanglish versus Romglish,”a book to be published by Arco Libros (Spain);provisional title: Desde esta orilla: Cómo se ve el fenómeno del spanglish en Europa.

(Forthcoming): “Hacia un modelo integrado de la enseñanza del español a los hispanounidenses a nivel universitario: El caso de Los Ángeles”, Actas del Primero Congreso de la ANLE.

Selected Journal Articles :

- "Modalitati stilistice in opera lui Ramón del Valle-Inclán" [Stylistic Modalities in Ramón del Valle-Inclán's works], Studii de Literatura Universala, XII, 1968, pp. 113-130.

- "Opera lui Antonio Machado in Romania " [Antonio Machado's work in Rumania ], Analele Universitatii Din Bucuresti, 2/1969, pp. 103-109.

- "Proiectie bovarica si instrainare unamuniana in romanul La Regenta de Leopoldo Alas Clarín" [Bovary-style projection and Unamuno-style alienation in La Regenta by Leopoldo Alas Clarín], Analele Universitatii Din Bucuresti, 2/1970, pp. 97-109.

- "El infinitivo en español y en rumano. Estudio comparativo", Bulletin De La Société Roumaine De Linguistique Romane VII (1970), pp. 41-61.

- "Despre perifrazele verbale in spaniola si romana" [About Verbal Periphrases in Spanish and Romanian], Studii si Cercetari Lingvistice 5/1971, pp. 47l-489.

- "Tangente lirice intre Bécquer si Eminescu" [Poetic Affinities between Bécquer and Eminescu], Analele Universitatii Din Bucuresti 1/1971, pp. 73-83.

- "Sursele estetice ale generatiei de la 1927" [Aesthetic Sources of the "Generación del 27"], Analele Universitatii Din Bucuresti 1/1973, pp. 153-169.

- "Apuntes sobre el uso enfático de sí (adv.) en el español contemporáneo", Revue Roumaine de Linguistique 5/1973, pp. 407-413.

- "Jorge Guillén si Ion Barbu - poeti afini" [Jorge Guillén and Ion Barbu- poetic affinities], Analele Universitatii Din Bucuresti 2/1973, pp. 17-23.

- "Análisis léxico-sintáctico de un poema de Miguel Hernández: 'Eterna sombra',"Boletín De La Asociación Europea De Profesores De Español 9 (1973), pp. 57-66.

- "Procedee morfo-lexicale de negare a adjectivului in spaniola contemporana (in comparatie cu romana)" [Morpho-lexical devices to form negative adjectives in Spanish, as compared to Romanian], Studii si Cercetari Lingvistice 1/1974, pp. 37-44.

-"Propuestas en torno a la terminología del análisis sintáctico en castellano", Boletín De La Asociación Europea De Profesores De Español 11 (1974), pp. 21-29.

- "Notas comparativas sobre el tratamiento en español y rumano", in Etudes Romanes I (1976), pp.81-86.

- "Acerca del orden de las palabras en las interrogativas españolas", Part I in Revue Roumaine de Linguistique 2/1977, pp. l47-l52; Part II in Revue Roumaine de Linguistique 4/l977, pp. 445-45l.

- "Viajeros rumanos por España e Hispanoamérica", Cuadernos Hispanoamericanos 322-323/1977, pp. 183-197.

- "El sistema de las respuestas minimales en castellano", Revue Roumaine de Linguistique XXIV, 1/1979, pp. 45-54.

- "Ecos catalanes en la cultura rumana", Cahiers Roumains D'Etudes Litteraires 1/1979, pp. 21-29.

- "Adán Buenosayres: metáfora y novela", Texto Crítico 16-17 (1980), pp. 169-181.

- "Propozitia impersonala cu SE in spaniola si romana" [SE impersonal sentences in Spanish and Romanian], Studii si Cercetari Lingvistice 5/1983, pp. 413-418.

- "Escollos en la enseñanza de la pasiva española a los rumanos", Revue Roumaine de Linguistique 3/1983, pp. 271-275.

- "Hacia una clasificación más completa de las oraciones compuestas en español,"Boletín De La Asociación Europea De Profesores De Español 34-35, 1986, pp. 217-224.

- "Contribución a la semántica de los verbos modales en español (con ejemplos del habla de Madrid),"Hispania 71, 1988, pp.139-147.

- "Un tipo de imagen-clave en la poesía de la generación del 27: la imagen cromática,"Explicación de Textos Literarios 18 (Spring 1990), pp.15-30

.- "El dativo posesivo en español y en rumano,"Revista Española de Lingüística 20 (Julio-Diciembre 1990), pp. 403-429.

- "The Spanish Poetry of Aron Cotrus,"American-Romanian Academy Journal 15 (1991), 91-104

.- "General Consideration about Echo Questions in Spanish and Romanian: Towards Defining the Concept,"Revue Roumaine de Linguistique 36 (1991), vol. 3-4: 141-167 (Part I); vol. 5-6: 279-315 (Part II).

- "On the Syntactic Properties of Recapitulatory Wh-Echo Questions in Spanish and Romanian: A Parallel": Analele Universitatii din Bucuresti, Limbi si Literaturi Straine, 1991, [Proceedings of the 16th ARA Annual Congress, Bucharest (Romania), June-July 1991], 30-51.

-"Spanish Echo Questions and Their Relevance to the Current Syntactic Theory,"Southwest Journal of Linguistics 10:2 (1991), pp. 42-65.

- "Preguntas con multiconstituyentes interrogativos en español,"Hispania 75 (1992), vol.1: 164 - 170.

- "A Preliminary Approach To The Contact Phenomena Found In The Romanian Spoken By Romanian-Americans Of The First Generation,"ARA Journal 18 (1993), pp. 161-186.

- "Traducción y heteroglosia en la obra de Octavio Paz,"Hispania 78, May 1995, pp. 240-251.

-"El flojo matinal: Contribución al análisis del discurso oral en español de un grupo de mexico-americanos bilingües, Anuario de Letras, UNAM, XXIII(1995):155-185.

- "Los adjetivos en el sintagma nominal: Posición y predicación" (invited contribution, in collaboration with Mario Saltarelli, USC), Signo y Seña 5,February 1996, pp. 23-60 (monographic issue on Estructura, significado y categoría, ed. by Nora Múgica).

- "Rhetorical vs. Non Rhetorical Allo-repetition: The Case of Romanian Interrogatives,"Journal of Pragmatics 26.3 (1996), pp. 321-354.

- "Realidad y metáfora del exilio en la obra de Alina Diaconú."Alba de América vol. 15 (1997), Nrs. 28-29, pp. 236-245.

- "El parámetro discursivo en la expresión del objeto directo lexical: español madrileño vs. español porteño,"Signo y Seña 7 (1997): 303-354 - monographic issue on La gramática: desarrollos actuales, ed. by Ofelia Kovacci (invited contribution)

- 2005 Presidential address: “Noroc!; Merci; ¡Qué lindo!; Sorry: Some Polite Speech Acts Across Cultures.” Southwest Journal of Linguistics 25. 2 (2006):  1-37.

- “Interrogative allo-repetitions in Mexican Spanish: Discourse functions and (im)politeness strategies.” Special issue on The Discourse of Politeness in Spanish, of Pragmatics, vol 18 (2008)  No.4, pp. 659-680.

-“Cortesía ritual en español y rumano: el caso de los deseos” (invited contribution). Español Actual, ed. by Catalina Fuentes.Vol.94, 2010. Pp. 91-122.

- “El español en los Estados Unidos: Metamorfosis y controversia” (invited contribution ). Boletín de la Academia Norteamericana de la Lengua Española (ANLE), nr.14 (2011), pp. 261-302.

--“Cortesía codificada versus cortesía interpretada en español: Consideraciones generales.” Glosas vol. 17, Núm. 8 (noviembre de 2011): 2-12.

-“Reflexiones sobre la Ortografía Básica de la Lengua Española.Glosas Vol. 7. Núm. 10 (septiembre de 2012): 2-8.

- Guest editorial: “Spanglish: What’s in a Name?” Hispania  95.3 (2012): ix-xii.

-“Lo que es y lo que no es: Un nota sobre el Spanglish.” Revista de la Academia Norteamericana de la Lengua Española, vol.2, núm.4 (2013), pp. 353-361.

“Two tongues that come together” o el español en contacto con el inglés en los Estados Unidos.”Ventana Abierta 34 (Spring 2013): 12-14.

“El español en los Estados Unidos a la luz del censo de 2010: Los retos de las próximas décadas.” Hispania 96.3 (2013): 525-541.

Spanglish and Identity inside and outside the Classroom” (MLA Convention Feature). Hispania 96.3 (2013):436-437.

“Alina Diaconú: La profundidad de una vocación más allá del idioma”. Revista de la Academia Nortemaricana de la Lengua Española 6 (2014), pp. 369-375.

“Sobre Hablando bien se entiende la gente 2 y la necesidad del buen uso del español en los Estados Unidos”, Glosas  vol. 8, nr.6 (2014), pp. 5-17.

“English-Spanish Code-switching in Literary Texts: Is It Still Spanglish as We Know It?” (MLA Convention Feature). Hispania  97.3 (2014), pp. 357-359.

“La alternancia de lenguas como actividad de imagen en el discurso hispanoundense/Code-switching as face-work in the discourse of US Hispanics.” Pragmática sociocultural/ Sociocultural Pragmatics (ed. by De Gruyter)  2. 1 (2014), pp. 1-34 (online publication)

“Aspectos pragmáticos y discursivos del español  estadounidense/ Pragmatic and discursive aspects of Spanish in the United States “.Informes del observatorio/Observatory reports 015-11-2015 (Instituto Cervantes at the Faculty of Arts and Sciences of Harvard University) – online publication, 26 pp.

 “Homenaje a Luis Alberto Ambroggio:  Perfil del poeta.”Alba de América 35 (2015):221- 223.

“Tradicion e innovación en el diccionario académico”. Glosas vol.8. 8 (2015), pp.15-20

“Innovative Approaches toTeaching Spanish and Portuguese in the Twenty First Century, and More . . .” (2015 MLA Convention Feature), Hispania  98.2 (2015), pp. 191-93.

 (forthcoming): “A particular kind of ‘action-reaction’: Questions answering questions (in Spanish and Romanian dialogues”, Language and Dialogue 2016:2.

Some recent book reviews:

- Magdalena García Pinto & Mario Rojas (eds.): Aproximaciones a la sintaxis del español: Estudios sintácticos del español y el progreso de la teoría lingüística. Lingüística 1, 1989, 190-204

.- Antonio Machado: El poeta y su doble. Explicación de Textos Literarios XIX.2 (1990-1991),p.90-91.

- Marius Sala (ed.). Enciclopedia Limbilor Romanice. Lingüística 2, 1990, pp. 263-265.

- Elba Torres de Peralta: La poética de Olga Orozco. Nuevo Texto Crítico 7 (1991), 220-222.

- Ignacio Bosque (ed.) Indicativo y subjuntivo. Lingüística 3, 1991, 180-201

- Maria Manoliu-Manea: Gramatica, pragmasemantica si discurs, ARA Journal 19 (1994), 279-282.

- "Si algo puedo asegurar es que el realismo no es mi veta" (review of Ester Gimbernat González and Cyntia Tompkins, eds. Utopías, ojos azules, bocas suicidas: La narrativa de Alina Diaconú). Confluencia (published by the University Press of Colorado) 11.1 (1995), pp. 206-210.

- Jorge Narváez: La invención de la memoria. Revista Literaria Iberoamericana. 1.1 (1995), 34-36.

- Guy Mercadier: L'autoportrait en Espagne: Littérature et peinture. Revista Literaria Iberoamericana. 1.1 (1995), 37-40.

- Dan Munteanu: El papiamento, lengua criolla hispánica. Revista de Filología Española LXXVII (1997), 375-378.

- Dan Munteanu Colán & Rafael Rodríguez Marín:  Bibliografia básica y selectiva de lingüística románica. Southwest Journal of Linguistics 22. 2 (2003), pp. 151-153.

-  Marius Sala, Del latín al rumano. Southwest Journal of Linguistics 23. 1 (2004), pp. 121-123.

 –Dale Koike & Carol Klee. Lingüística aplicada: Adquisición del español como segunda lengua. Hispania 87. 1 (2004), pp. 91-94.

 – Marcial Prado: Diccionario de falsos amigos: Inglés –Español. Hispania 87. 2 (2004), pp.  295-296.

-   José Ignacio Hualde, Antxon  Olarrea y Anna María Escobar, Introducción  a la lingüística hispánica, Hispania 88.1 (2005), pp. 147-149.

-   Larry King and Margarita Suñer,  Gramática española: Análisis y práctica, 2nd ed.,Hispania 88.2  (2005), pp.  319-321.

-  Milton M. Azevedo, Introducción a la lingüística española, 2nd. ed  and  González Flores, Francisca, Workbook (to accompany this second edition), Southwest Journal of Linguistics 24. 1 (2005), pp. 199-206.

-  Josse de Kock and Carmen Gómez Molina, Lingüística aplicada. La lengua: meta, materia y referencia  en investigación, enseñanza y estilística, Hispania 89.1 (2006), pp. 76-78.

-   Rafael Areiza Londoño, Mireya Cisneros  Estupiñán, Luis Enrique Tabares Idárraga, Hacia una nueva visión sociolingüística, Hispania 89.3 (2006), pp. 539-540.

-  Dan Muntenanu Colan, Breve historia de la lingüística románica, Hispania 89.4 (2006), pp. 903-904.

- Rosina Márquez  Reiter and Maria Elena Placencia, Spanish Pragmatics. Hispania 90.1 (2007): 87-88.

- Diana Bravo (ed.), Estudios de la (des)cortesía en español. Hispania 90.3 (2007): 514-515

-  Kathleen Wheatly, Sintaxis y morfología de la lengua española. Hispania 90 (2007): 717-718

-  HumbertoLopez Morales (coord.).Enciclopedia del español en los Estados Unidos. Hispania 93.1 (2010): 158-159

- G. Piña Rosales et al. (eds.) Hablando bien se entiende la gente, Hispania 94 (2011)

Some Translations From Spanish Into Romanian:

- C.Martín Gaite, Logodna Gertrudei [Entre visillos], Bucuresti, Editura Univers, 1972.

- I.Aldecoa, Gran Sol, Bucuresti, Editura Univers, 1976.

- G.A.Bécquer, Raza de luna- legende [El rayo de luna - leyendas], Bucuresti, Editura Univers, l978.

- Emilia Pardo Bazán, Conacul din Ulloa [Los pazos de Ulloa], Bucuresti, Editura Univers, 1982.

- Emilia Pardo Bazán, Insolatie. Dor. [Insolación. Morriña], Bucuresti, Editura Eminescu, 1983.

Each translation is accompanied by a comprehensive study of the author's contribution to the Spanish literature, and by critical footnotes, both authored by the translator.

  Among the Interviews she gave are:

“Confesiones transatlánticas.” Plural 2.22 (2004):  290-293 (Special issue: La confesión- forma de diálogo), a periodical publication of the Romanian Cultural Institute.

 “Domnita Dumitrescu intervievata de Maria-Sabina Draga Alexandru,” Cultura românească în perspectivă transatlantică: Interviuri,  ed. by Maria-Sabina Draga Alexandru & Teodora Şerban-Oprescu,  Bucuresti, Editura Universitatii din Bucuresti, 2009, pp. 51-59.

A 40 minute interview in Romanian for Romanian Radio, “Romanii in lume”, June 13, 2010.

Television and web participation:

Since August 2012, she has been presenting  short linguistic advice  for heritage speakers of Spanish in the US during the evening news of Mundo Fox (a new Spanish channel  located in Los Angeles) under the heading: Se habla español. See: http://www.youtube.com/results?search_query=domnita+dumitrescu+%26+mundo+fox&oq=domnita+dumitrescu+%26+mundo+fox&gs_l=youtube.12...3250.13218.0.15390.30.30.0.0.0.0.172.2563.23j7.30.0...0.0...1ac.1.ahQyN70g3VU.

Since October 2013, occasional contributor to Yahoo en español ("La palabra del día" and "La lengua viva", a blog project sponsored by ANLE).

                                                                Last updated in March 2016

D-3086

Kelly J. Madison, Professor of Cultural Politics & Media Studies

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Kelly J. Madison, Ph.D.
College of Arts and Letters
Department of TV, Film and Media Studies
Email: kmadiso@exchange.calstatela.edu

~~Professor Kelly J. Madison completed her undergraduate degree at UCLA, and her Ph. D. at the Annenberg School for Communication at USC.  Professor Madison teaches in the Undergraduate program of  Television, Film & Media Studies, and the Masters program in Communication Studies at CSULA.  Professor Madison specializes in Cultural Politics and Media Studies.  Her areas of expertise include the cultural & media politics of "race"/racism, whiteness, violence, youth identity, gender, economic class, and consumerism/commercialization.  Professor Madison is a founder, producer and co-host of Pacifica Radio/KPFK's "Beautiful Struggle," a weekly African American public affairs program specializing in social justice issues and community activism. Beautiful Struggle airs on 90.7 FM in Los Angeles and 98.7 in Santa Barbara on Tuesday nights from 7-8 pm.  In 2006 Dr. Madison was the recipient of the "Distinguished Women of CSULA Award" for her excellence in teaching and community service.

Atef Laouyene

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Atef Laouyene
College of Arts and Letters
Phone: 323-343-4291
Department of English
Email: alaouye@exchange.calstatela.edu Office Location: ET

Teaching Experience

  • Associate Professor, California State University, Los Angeles, 2015-Present
  • Assistant Professor, California State University, Los Angeles, 2009-2015
  • Part-Time Teacher, University of Ottawa, Canada, 2007-2009                             
  • Part-Time Teacher, Carleton University, Canada, Fall 2008                                    
  • Teaching Assistant, University of Ottawa, Canada, 2001-2007                                                     

Courses Taught

  • ENGL-580 Graduate Seminar: "The Arabian Nights in Global Contexts"
  • ENGL-580 Graduate Seminar: “Representations of the Exotic in Middle Eastern Diasporic Literature.”
  • ENGL-541: Graduate Seminar: “Postcolonialism: Theory, Politics, Practice”
  • ENGL-510: Graduate Seminar: “Violence, Trauma, and Narrative Ethics”
  • ENGL-492: Seminar in Literature and Language
    • “Violence, Ethics, and the Literary Imagination”
    • “Orientalism in Literature and Film"
    • "Literature and Empire: Visions and Revisions"
  • ENGL-486: 20th-Century Continental Fiction
  • ENGL-452: Cultural Studies and English Literature
  • ENGL-383: Narratives of Maturity and Aging
  • ENGL-382: Violence and Literature
  • ENGL-340: Writing in the Major
  • ENGL-280: Contemporary World Literature
  • ENGL-250: Understanding Literature
  • EngL-200C: British Literature Survey II (18th Century-Present)
  • ENGL-102: Composition II

RESEARCH

  • Middle Eastern Studies
  • Postcolonial Literary Studies
  • Critical Theory
  • History of Arab Spain
  • Francophone Literatures of the Maghreb

 

PUBLICATIONS AND PRESENTATIONS

Books

“Exoticism and the Politics of Representation in Arab Diasporic Literature.” Under contract with Northwestern UP. 

(In progress)

Articles/Book Chapters

"Reading Otherwise: Politics of the Exotic in Diana Abu-Jaber's Crescent."Critique: Studies in Contemporary Fiction. 56.5 (2015): 586-601.

2015

"Race, Gender and the Exotic in Ann-Marie MacDonald's Fall on Your Knees."Journal of Commonwealth Literature. June, 50 (2015): 197-215.

2015

“Pathologies of Moorishness: Al-Andalus, Narrative, and ‘Worldly Humanism.’” Journal of East-West Thought. 3.1. (2013): 31-44.

2013

“The Canadian Gothic and the Work of Ghosting in Ann-Marie MacDonald’s Fall on Your Knee,” in Unsettled Remains: Canadian Literature and the Postcolonial Gothic. Ed. Cynthia Sugars and Gerry Turcotte. Waterloo: Wilfrid Laurier UP, 2009.

2009

“Andalusian Poetics: Rushdie’s The Moor’s Last Sigh and the Limits of Hybridity.” ARIEL: A Review of International English Literature 38.4 (2008): 143-65.

2008

“‘I am no Othello.  I am a lie’: Shakespeare’s Moor and the Post-Exotic in Tayeb Salih’s Season of Migration to the North,” in Native Shakespeares: Indigenous Appropriations on a Global Stage. Ed. Craig Dionne and Parmita Kapadia. London: Ashgate Press, 2008. 213-32.

2008
Book Reviews
  • "The Poetics and Politics of Mourning." Rev. of Signifying Loss: Toward a Poetics of Narrative Mourning, by Nouri Gana. Cultural Politics. 11.3 (2015): 412-16.
  • “Translational Poetics in Arab Immigrant Writing.” Rev. of Immigrant Narratives: Orientalism and Cultural Translation in Arab American and Arab British Literature, by Waïl S. Hassan. Postcolonial Text. 7. 4 (2013)
  • “Of Violence and Poetry.” Rev. of To Love a Palestinian Woman, by Ehab Lotayef; Alien, Correspondent, by Antony Di Nardo; and Back in the Days, by Addena Sumter-Freitag. Canadian Literature. 212. (2012): 164-166.
  • “Pan-Arabism Under British Eyes.” Rev. of Britain and Arab Unity: A Documentary History from the Treaty of Versailles to the End of World War II, by Younan Labib Rizk. Journal of Intercultural Studies. 33.4. (2012): 463-47.
  • "Orient Re-oriented,” Rev. of Translating Orients: Between Ideology and Utopia, By Timothy Weiss. Postcolonial Text 2. 2 (2006)

Presentations

  • "Marketing the Middle Eastern Memoir: Escapee Narratives and the Politics of the Exotic." Presented for PAMLA (Pacific Ancient and Modern Language Association), Riverside, CA, October 31, 2014.
  • “Representations of Violence in Middle Eastern Literature: 9/11 and the Exotics of Terror.” Presented for ACLA (American Comparative Literature Association), New York, March-20-24, 2014.
  • Chair, “God and Man in Medieval and Renaissance Literature” at the “CSULA Conference on Modernity, Critique, and Humanism,” February12-13 2012.
  • Moderator, the CSULA American Communities Program panel, “The Revolutionary Impulse, ” February 1, 2012.
  • Chair, “Sor Juana and her Relations with Baroque Institutions of New Spain” at the “CSULA Conference on So Juan de la Cruz, Her Work, Colonial Mexico, and Spain’s Golden Age,” May 13-14, 2011.
  • “Pathologies of Moorishness in Arab Diasporic Writing,” presented at the MLA Conference, Los Angeles, January 6-9, 2011.
  • “Ethics of Witnessing: Life Writing and the Spectacle of Arab Violence,” presented for CACLALS at the Congress of the Humanities and Social Sciences, Concordia University, Montreal, Canada, May 28-June 4, 2010.
  • “Hauntropologies: Arab Canadians and the Specter of Marginality,” presented for CACLALS at the Congress of the Humanities and Social Sciences, Carleton University, Canada, May 23-26, 2009.
  • “Arabs, 9/11, and the New Face of the Exotic” presented for ACCUTE at the Congress of the Humanities and Social Sciences, Carleton University, Canada, May 23-26, 2009.
  • “The Post-Exotic Arab: Re-Arranging the Tropes,” presented at the MLA Convention, Chicago, December 27-30, 2007.
  • “Odalisque Revisited,” presented at the Fifth International Conference on New Directions in the Humanities, Paris, July 17-20, 2007.
  • “‘I am no Othello.  I am a lie’: The Undoing of the Moor in Tayib Salih’s Season of Migration to the North,” presented for CACLALS at the Congress of the Humanities and Social Sciences, Winnipeg, Canada, May 2004.

 


EDUCATIONAL BACKGROUND

  • Ph.D., English, 2008, University of Ottawa, Ottawa, Canada                                                                                                                          
  • M.A., English, 2001, Laval University, Québec, Canada
  • Diplôme des Études Approfondies in English, 1998, Faculté des Letters, Manouba, Tunisia
  • License in English Language and Literature, 1997, Faculté des Lettres, Sousse, Tunisia                     

 

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Suzanne Regan

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College of Arts and Letters
Phone: 323-343-4060
Department of TV, Film and Media Studies
Email: sregan@exchange.calstatela.edu Office Location: MUS

VITA 

Suzanne E. Regan, Ph.D.

California State University Los Angeles

sregan@calstatela.edu

323-343-4206

 

Administrative Experience:

 

Chair, Department of Music, Theatre and Dance, California State University, Los Angeles  2010-2013.  Responsible for budgeting, scheduling, and staffing of a Department of serving graduate and undergraduate students. 

 

TVFM Project Manager for the new TV Film and Media Studies Center, a $7,000,000 design and development project for CSULA, that renovation a building to incorporate a 30 thousand square foot, two story sound stage, editing and sound recording and design facilities, screening and conference rooms designed to support advanced production and graduate classes for the MA and MFA in Film, Theater and Television.  Worked with architects, planners, contractor and colleagues from across campus departments from initial concept, through design and completion.

 

Chair, Department of TV, Film and Media Studies, California State University, Los Angeles  2010-2013.  Responsible for budgeting, scheduling, and staffing of a Department of serving 800 graduate and undergraduate students.  Acting Chair, Department of Communication Studies, 2009-2010. Responsible for the budgeting, scheduling and staffing of a Department combining speech and media communication programs.  Member Department Transition Team, charged with developing two new Departments in Communication and TVF.

 

Trustee, University Film Video Foundation, 1999-2004.  Advisory Broad, University Film Video Foundation, 1983-1990, 1995-present. The University Film and Video Foundation is

responsible for administering an endowment of over half a million dollars that is used to support competitively chosen film and video production completion grants each year.

 

Co-Producer, along with Melinda Levin and Karla Berry of “The Rivers Project” a multinational collaborative documentary project which addresses environmental issues shares by major river systems.  Recipient of over 1$20,000 by Grants from CILECT, AVID, Panasonic and UFVA. 2007-2008.  River Film premiered at CILECT Congress in Beijing, November 2008.  Received multiple festival invitations and awards.

 

Co-Director of the TV Film and Theater MFA, 2010-12   Responsible for recruitment, admission and program development for the Masters of Fine Art in TV, Film and Theater, with specializations in performance, production and dramatic writing. Worked with colleagues from theater and dance to develop the new collaborative MFA. Director of Graduate Studies, Telecom/Film MA, Department of Communication Studies, 2006-2007, 2001-2004, responsible for recruitment, admissions and maintenance of progress records for graduate students, act as liaison to College of Arts and Letter Graduate Faculty Committee, lead Department Graduate Faculty in the development of program and policies, coordinate comprehensive exams, primary graduate student adviser.

 

Appointee of the California State Board of Education to the Visual and Performing Arts Curriculum Framework and Criteria Committee, providing content expertise in the development of the 2002 K-12 Visual and Performing Arts Framework used as basis for curriculum development in the arts for the California Public Schools, 2002.  Framework Published 2004. 

 

Appointee of the California State Board of Education to the Instructional Resources Evaluation Panel, recommending preferred texts in the area of Visual and Performing Arts for state-wide K-12 adoption, 1997-98.

 

President, University Film and Video Association, 2002-2004.  The University Film and Video Association, founded in 1948 is one of the two major academic associations dealing with Media research and Study in North America. The UFVA is also the North American branch of CILECT, the International Congress of Schools of Cinema and Television.  Immediate Past President (Board Position) 2004-2006.  President –elect, (Board Position) University Film and Video Association, 2001-2002.

 

    Editor, Journal of Film and Video, 1997-2002.

    In its 58th year of publication, one of the two blind peer-reviewed journals in the field of film and

    video research and education published in the United States.  One of the oldest film studies journals

    still in publication with an international readership and place in the major Film Study Centers and

    University Libraries worldwide.

 

Delegate, Women and Leadership Symposium, Oxford University, Oxford, England, Spring 2005.

 

Head of U.S. Delegation to CILECT (International Congress of Schools of Film and Television, Helsinki Finland, Spring 2004.  Responsible for leading the U.S. Delegation, coordinating the U.S. Media Initiatives, and securing the U.S. vote when a country by country vote was required.

 

Planning Committee, Theory for Practice Project, CILECT (International Congress of the Schools of Film and Television) 2002-2004.  The Project involves setting up five international meetings to deal with the theoretical issues around teaching film and television production.

 

Department of Communication Studies Associate Chair.  Work in concert with Chair on faculty and staff recruitment, student development and fiscal planning.  Associate Chair for Broadcasting, Director of Broadcasting.  Responsible for program development, managing schedules, internship program, financial planning and policy and procedures for the Broadcasting major.

 

Evaluation and Tenure Committees, Budget Committees, Student Policy and Administrative Review.  WASC Accreditation:  Student Satisfaction Subcommittee. 

 

Secretary, University Film and Video Association, 1983-84, Board of Directors, 1985-1986, and 1997-1998.

 

Program Chair, University Film and Video Association's 39th Conference,

          "Hollywood in Transition,” Summer 1985.

 

 

   Publications:

 

    A Gendered Gaze: Media Perceptions of Self and Sexuality, edited by Suzanne Regan, Cognella, 2016.

 

 “Embedded Theories of Violence,” published proceeding of the Beyond Theory Conference, Cardiff, Wales, November 2003.

 

Contributor to "Guide to Faculty Advancement: Annual Evaluation, Promotion, and Tenure, by Peter Bukalski, University Film and Video Association Monograph No. 7, Summer 2000.

 

“Women Behind the Camera: Conversations with Camerawomen” review of book by Alexis Krasilovsky, Journal of Film and Video, Summer 1998, pp.58-60.

 

"Teaching Visual Analysis Using CAV Interactive Videodisc Technology, in The Electronic Classroom: a Handbook for Education in the Electronic Environment, edited by Erwin Boschmann, Meckler, 1995.

 

Contributor to "Guide for Nontenured Faculty Members: Annual Evaluation, Promotion, and Tenure, edited by Peter Bukalski, University Film and Video Association Monograph No. 6, Fall 1993.

 

"Sunny Side of Life," film review,   Southern Quarterly, vol. 26, no. 2,  Winter  1988, pp. 110-111.

 

"The History of Network Television in the United States:  Beginnings to 1960"  AFI Course File,  University Film and Video Association Monograph No. 5,  January 1986, pp. 44-48.

 

 

Film and Video Production:

 

Co-Producer, along with Melinda Levin and Karla Berry of “The Rivers Project” a multinational collaborative documentary project which addresses environmental issues shares by major river systems.  Recipient of over 1$20,000 by Grants from CILECT, AVID, Panasonic and UFVA. 2007-2008.  River Film premiered at CILECT Congress in Beijing, November 2008.  Received multiple festival invitations and awards.

 

Executive Producer, copy editor, Interactive DVD Issue, Journal of Film and Video 54:1, Spring 2002

 

Executive Producer, copy editor,  Interactive CD-ROM Issue Editor, Journal of Film and Video, 52:3, Fall 2000.

 

Executive Producer, Journal of Film and Video, 51:2, CD-ROM issue, Summer 1999.

 

Creative Consultant, Producer and Editor, "Fountain Valley District Track Meet, 1983” Cablecast June, July 1983, Fountain Valley, California.  Public access community cable project discussed in Community Television Review, Winter 1984.

 

Creative Consultant, Producer, "KBS (Kid's Broadcasting System) News" a public access project of the Fountain Valley School District, Cablecast July, August 1982, Fountain Valley, California, discussed in Community Television Review, Winter 1984.

 

Director, Writer, Cinematographer and Editor of Summer in the Parks, a 16mm color film produced for the Portland (Maine) Parks and Recreation Department, 1974.

 

 

Academic Experience:

 

Professor, Department of Communication Studies, Television Film and Media Studies Program,

California State University, Los Angeles, 1978-present.

 

Educational Background:

 

University of Massachusetts at Amherst, Ph.D. in Mass Communication, 

    Dissertation: The Utilization of the Film Medium by American Art Museums, 1981

 

University of California at Los Angeles, MA in Film-Critical Studies,

    Thesis: Fantasy in Children's Films, 1974

 

Center for Understanding Media, Summer Institute, New York City, 1973

 

Simmons College, Boston, Massachusetts, BA, 1971, with honors

 

Teaching Areas:

 

Graduate and Undergraduate Courses

Film and Television History, Theory and Criticism

Cinema Aesthetics

New Media Technologies

Screenwriting, Video and Film Production

 

Related Professional Experience:

 

Delegate to the November 2008 Conference of CILECT. (International Congress of Schools of Cinema and Television), Report on the Global Rivers Project, premiere of the Rivers Film.

 

    Delegate to the October 2006 Madrid, Spain Conference of CILECT (International Congress of Schools

    of Cinema and Television).

 

Delegate to the April 2002 Melbourne (Australia) Conference of CILECT. (International Congress of Schools of Cinema and Television)

 

On Line Teaching, LA Times TimesLink, On Line News Service, Family and Education Section, Inaugural Course, "Children's Media," November, 1994.

 

Member, Commission on Instructional Technology, 1987-1990 Chancellor's task force to incorporate computing and media technology into the California State University System's classroom instruction.

 

Reviewer, Wadsworth Press, Cole Publishing, film and television texts, 1987-1991.

 

Guest Lecturer, Universities of  Beograd and Zagreb (Yugoslavia), Faculties of Dramatic Arts, lectured on American television history and contemporary programming issues, April 1987, also lectured on the above topics at the Olympic Museum, Sarajevo, Yugoslavia, April 1987.

 

Facilitator for the "Professors Survival Guide" Workshops given at the Society for Cinema Studies Conference, New Orleans, April 1986, University Film Video Association Conference, August 1986 and the Broadcast Education Association Conference, Dallas, Texas, March 1987.

 

Delegate to the November1986 Paris (France) Conference of CILECT (International Congress of Schools of Cinema and Television) and to the July 1987 CILECT. sponsored Karlovy Vary (Czechoslovakia) Student Film and Video Festival.

 

West Coast Regional Coordinator, National Video Festival Student Competition, Spring1986.

 

Judge, The American Video Conference Awards, 1987-1989.

 

Judge, Pre-selection Committees, Datsun FOCUS Screenwriting Competition, 1980-1986.

 

Toured Israel, Egypt and Jordan for the U.S.I.A. Arts American Program and the Motion Picture Academy with student Academy Award winning films, October 1984.

 

Co-author, along with Caren Deming, Ph.D. "Proposal to Develop BFA/MFA Degree Programs in FILM/VIDEO/SOUND in the California State University System" 

 

Principal author of the revised BA Program in Broadcasting, California State University, Los Angeles, 1983.

 

Panel Chair: Various regional, national and international panels, 1978-present.

 

    Grants:

Producer along with Melinda Levin and Karla Berry of “The Rivers Project” a multinational collaborative documentary project which addresses environmental issues shares by major river systems.  Funded by Grants from CILECT, AVID, Panasonic and UFVA.

 

American Communities Grant, CSULA College of Arts and Letters, for research on media representation of the LA River, 2007-2008.

 

CSULA Instructional Technology Initiative Implementation Award, Rethinking and Retooling for the Electronic Classroom: (BCST 328) History of Broadcasting and Film, utilizing digital imagery, CD-ROM and World Wide Web, 1997.

 

CSULA Instructional Technology Lottery Grants, Computer Technology

Classroom for Teaching Communications and Broadcasting Telecommunications Based

Courses, with Beryl Bellman, 1994-1995.

 

Roybal Institute for Applied Gerontology, Research Development Grant, with Beryl Bellman, to develop a proposal for computer communication interface for elder learners, Spring 1993.

Digital Equipment Corporation, with Beryl Bellman and Bestnet faculty, 1991-92, Equipment Donation Grant for Technology research and dissemination.

 

Canadian Embassy Faculty Enrichment Grant to develop a course in Canadian Media and Culture.  1990. 

 

Winter 1990 Creative Leave (Program Change Proposal) from CSULA, to develop discipline based teaching applications for videodisc interactivity and computer communications.

 

1989/90 Discipline Based Training Program Grant, from CSULA, to develop a training seminar for colleagues on interactive videodisc and computer communications.

 

CSULA Instructional Technology Grants, 1988-89, 1989-90, to develop interactive computer and videodisk instruction facilities for broadcasting classes.

 

 

Papers Presented:

 

---over 50 papers in television history and criticism, faculty development, and in the areas of new media technologies, international media and cultural institutions presented at national and international media conferences:

 

Honors:

 

Lifetime Achievement Award, University Film and Video Association, 2009

Grand Marshal, California State University Los Angeles 2009 Honors Convocation and Commencement

CSULA Distinguished Woman Award 2005

Faculty Honorary Member, Golden Key National Honor Society, 1992

International Who's Who of Professional and Business Women, 1987

Outstanding Young Women in America, 1981, 1982

Graduate Fellowship, UCLA, 1972-73

Simmons Honor Society, 1970-71

Sarah Oren Jewett Scholarship, Simmons College, 1970-71

Simmons College Scholarship, 1967-71

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Gastón Alzate, Ph.D ____________________________________________________________________ Department of Modern Languages & Literatures

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Presbiteros Juan Marentes y Gaspar Astete
Presbiteros Juan Marentes y Gaspar Astete en Echo Mountain- Los Angeles
Phone: 323-343-2267
___________________________________________________
Email: galzate@exchange.calstatela.edu Office Location: KH

Professor of SPANISH (Latin American Literature, Theater, Popular Culture & Performance Arts).

Director of KARPA, Journal of Theatricalities & Visual Cultures.

Member of CAL STATE LA Golden Eagle Aguila de Oro Mariachi Band. 

Office Hours  ~  (Winter 2016)
Monday 
Tuesday2:00  - 4:00 p.m.
Wednesday 
Thursday

2:00  - 4:00 p.m.

Friday 
Saturday 

INTRODUCTION

I am from Cali (Valle del Cauca), Colombia. Currently I am Full Professor of Spanish where I teach Latin American Theater, Performance Art and Literature. During 2011 I was Research Fellow of theVerflechtungen von Theater Kulturen (Interweaving Performance Cultures). Freie Universität, Berlin. Previously, I was Director of Latin American, Latino, and Caribbean Studies (LALACS) at Gustavus Adolphus College (1999-2006). I also served as advisor for the Independent Study group in Cuba, SPAN, University of Minnesota (1999-2000). I worked as Research Associate with David William Foster (1996-1997), and as Teaching Associate at Arizona State University. Since 2009 I am member of the CSULA Mariachi Band Aguila de Oro (Golden Eagle).

TEACHING INTERESTS

For the last years, at California State University, Los Angeles, I have taught Theater Production in Spanish (Teatro en español), and developed several collaborative projects involving the Music and Theater Departments (see Mariachi Quixote). I have also taught undergraduate and MA courses on Contemporary Latin American Theater and Literature, graduate seminars on Latino and Latin American Performance Art, and on Mexican Popular Cultures from the point of view of theater and performance studies.  I am fortunate in that my academic life has given me the opportunity to balance both teaching and research in my field. At Cal State I love having the opportunity to work with a diverse student population. I try to create a comfortable and humorous atmosphere that promotes communication between cultures, while at the same time promoting a high level of learning. 

RESEARCH

My central line of research and publication has been Mexican and Colombian literature with a focus on theater and performance art. My research has generally focused on the connections between Western tradition and Latin American culture, particularly the need to re-accommodate theoretical frameworks originating in Europe and the US when studying Latin American and US Latino productions. 

With the collaboration of Dr. Paola Marín, I founded the academic electronic journal Karpain 2009, devoted to theatrical dissidences, visual arts, and culture. It publishes articles in Spanish, English, and Portuguese. The journal is a peer-reviewed publication indexed by the MLA International Bibliography, which encompasses Latin American and Iberian performing and visual culture manifestations such as political cabaret, dance, performance art, theater, social theatricalities, graffiti, photography, and film.

During my Fellowship at the Verflechtungen von Theater Kulturen in Berlin (2011) I did a research on Contemporary Mexican Political Cabaret focusing on the diverse processes of interweaving of cultures. My experience at Berlin allowed me to better understand additional perspectives on the Performance Studies field. These include the German scholarly tradition and the viewpoints of so-called Third World scholars who have questioned the intercultural component in the origins of the Performance Studies field in the U.S., principally the fact that performative manifestations from cultures beyond the Anglo-European context are often times stripped of their specifichistorical conditions.   (More information here). 

RECENT PUBLICATIONS

TitleDate

"Una postmodernidad reaccionaria: El pensamiento literario de Álvaro Mutis." Revista Iberoamericana. University of Pittsburgh (forthcomming).

2016

"Apuntes a la historia del cabaret político mexicano: aspectos contraculturales." Latin American Theater Review. University of Kansas  49.2 (Fall 2015): 5-23.

2015

Along with Paola Marín General Editor of Revista Karpa 8 (2015): Dossier "Art and Memory in Colombia" (Ed. Elkin Rubiano)

 

"Un cuerpo barroco dador de placer: Astrd Hadad". Moringa: Artes do Espectáculo [Universidade Federal da Paraiba] 5.2 (2014)

2014

“Cultural Interweavings in Mexican Political Cabaret.” Politics of Interweaving Performance Cultures: Beyond Postcolonialism. Introduction by Erica Fischer-Lichte. Epilogue by Homi K. Bhabha. London: Routledge, 2014. 42-59.

 
"La performance: ¿vanguardia o retaguardia?". Revista Papel de colgadura. [Universidad ICESI, Cali]. Septiembre, 2014.
 

Along with Paola Marín General Editor of Revista Karpa 7 (2014): Dossier Performance y Teatralidades en Argentina (Ed. Jorge Dubatti)

 

COMPLETE LIST OF PUBLICATIONS

EDUCATIONAL BACKGROUND

Research Fellow (2010-2011)

  • Freie Universität, Interweaving Performance Cultures
    Berlín, Germany

Ph.D. Contemporary Mexican Theater, 1997

  • Arizona State University
    Tempe, AZ.

Masters Latin American Art and Performance, 1991

  • Universidad del Rosario
    Bogotá, Colombia.

B.A. Contemporary Latin American Literature, 1989

  • Universidad Javeriana
    Bogotá, Colombia.

Studies of piano, flute and composition, 1979-1984

  • Real Conservatorio Superior de Música y Canto
    Madrid, Spain

 

COURSE LISTING

CourseCourse TitleDay & TimeRoomQuarter

Span 545 

SPANISH AMERICAN POETRY AFTER DARÍO (Seminar)

Wednesday  4:20 - 8:10 p.m.

PE 120

SPRING  2016

Span 500 

ACADEMIC WRITING IN SPANISH (Seminar) 

Tuesday / Thursday 6:10 p.m. - 7:50 p.m.

King Hall B 1013

SPRING  2016

Span 314

SPANISH AMERICAN CIVILIZATION (Lecture)

Tuesday / Thursday 4:20 p.m. - 6 p.m.

King Hall B 1013

SPRING  2016

King Hall A-3031 Additional Website:

Melvin Donalson

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Melvin Donalson, author, professor, filmmaker
College of Arts and Letters
Phone: 323-343-4295
Department of English
Email: mdonals@calstatela.edu Office Location: ET

 

   

Melvin Donalson received his Ph.D. from Brown University and is a Professor in the English Department at California State University-Los Angeles. He researches and teaches the intersection of gender, sexuality, and sexual violence within American literature and popular culture. In the academic arena, he has served as an editor on two texts: Cornerstones: An Anthology of African American Literature (1996), and the Encyclopedia of 20TH Century African American Literature (2007). His critical books include Black Directors in Hollywood (2003), Masculinity in the Interracial Buddy Film (2006), and Hip Hop in American Cinema (2007). Donalson is a published poet, short story writer, and essayist, and he has written three novels: The River Woman (1988), Communion (2012), and The Third Woman (2015).  Additionally, he is a screenwriter and filmmaker who has written, produced, and directed the short films, A Room Without Doors (1998) and Performance (2009).    

website: www.meldonalson.com

 

 

635 Additional Website:

Michael Calabrese

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teaching Kant "On the Sublime"
College of Arts and Letters
Phone: X4288
Department of English
Email: mcalabr@exchange.calstatela.edu Office Location: ET

INTRODUCTION

Professor Michael Calabrese has taught at CSULA since 1994. 

 


TEACHING INTERESTS

Medieval and Classical Literature; Critical Theory; Ancient World Literature; Comparative Mythology and comparative religion.

 


RESEARCH

Chaucer; Langland; Middle English Literature; Medieval Continental authors; manuscript studies; electronic editing.

 

EDUCATIONAL BACKGROUND

Ph.D., English, University of Virginia, August, l991

MA, English, University of Virginia, May, l986

BA English, Concentration in Medieval Studies, Columbia University, 1983

 

Piers Plowman. Hm143 at the Huntington Library

 


PUBLICATIONS AND PRESENTATIONS

Books

Chaucer's Ovidian Arts of Love.  Gainesville: University Press of Florida, l994.

"Ye, baw for bokes”: Essays on Middle English Verse and Poetics in Honor of Hoyt N. Duggan." Co-edited with Stephen Shepherd.  Marymount Institute Press, 2013.

An Introduction to William Langland's Piers Plowman. New Perspectives on Medieval Literature Series. University Press of Florida, 2016. 

 

Editions

Hm 128, a Huntington Library Manuscript of the B-text of Piers PlowmanThe Piers Plowman Electronic Archive, Volume 7.  Boydell and Brewer and the Medieval Academy, 2008.  With Hoyt Duggan and Thorlac Turville-Petre.  Also on line: http://piers.iath.virginia.edu/index.html

           

Peer-Reviewed Essays and Articles

 "Langland's Last words." Readings in Medieval textuality: A Festschrift for A.C. Spearing. Woodbridge: Boydell and Brewer, 2016. 

HM 128 as a Medieval Book, in Calabrese and Shepherd, 127-64.

“The Man of Law’s Tale as a Keystone”. Approaches to Teaching Chaucer’s Canterbury Tales. Ed. Frank Grady and Peter Travis. Modern Language Association of America. In Press.

 “Being a Man in Troilus and Criseyde and Piers Plowman.  Masculinities in Troilus and Criseyde, ed Tyson Pugh and Marcia Marzec. Boydell and Brewer, 2008: 161-182. Also, in this volume, co-author of the “Introduction: The Myths of Masculinity in Chaucer’s Troilus and Criseyde” with Tison Pugh and Marcia Smith Marzec.

“Chaucer’s Dorigen and the Female Voices of the Decameron,” Studies in the Age of Chaucer 29 (2007): 259-92.

Chaucer's Legends of Good Women in MLA Guides to Teaching:  Chaucer's Troilus and Criseyde and the Minor Poems.  (New York: MLA, 2006): 101-06.

“The Corrections and Erasures in Hm 143, a C-text of Piers Plowman,Yearbook of Langland Studies 20 (2005): 169-99.

"Controlling Space and Secrets in the Lais of Marie de France."  Place, Space and Landscape in Medieval Narrative, ed. Laura Howes.  Tennessee Studies in Literature.  Knoxville: U. of Tennessee Press, 2007: 79-106.

"Prostitutes in the C-text of Piers Plowman"Journal of English and Germanic Philology, 105 No. 2 (2005): 275-311.

“Male Piety and Sexuality in Boccaccio's Decameron.Philological Quarterly, 83 No. 3 (Summer 2003): 257-76.

"Performing the Prioress: 'Conscience' and Responsibility in Studies of Chaucer's Prioress's Tale."  "The Ends of Historicism: Medieval Literary Studies in the New Century," ed. Elizabeth Scala.  Texas Studies in Literature and Language.  44:1 Spring, 2002: 66-91.

"Men and Sex in Boccaccio's Decameron.”  Medievalia et Humanistica, 28, 2002: 45-72.

"Ovid and the Female Voice in the De Amore and the Letters of Abelard and Heloise."  Modern Philology, Summer 97: 1-26.  Reprinted by the Gale Group, 2002. 

"Between Despair and Ecstasy: Marco Polo's Life of the Buddha."  Exemplaria:  A Journal of Medieval and Renaissance Studies and Theory, X, no. 1 Spring 1997: 189-229.

"Feminism in the Packaging of Boccaccio's Elegy of Lady Fiammetta.Italica, Spring 97: 20-42.

"The Rhetorics of Sexual Pleasure and Intolerance in the Middle English Cleanness" (with Eric Eliason).  Modern Language Quarterly, 56, no. 3, 1995: 247-275.     

"The Lover's Cure in Ovid's Remedia amoris and Chaucer's Miller's Tale."  English Language Notes 31, no. 3, l994: 13-18.

"Meretricious Mixtures': Gold Dung and the Canon's Yeoman's Prologue and Tale."  Chaucer Review, 27, Number 3, l993: 277-92.

"Make a Mark that Shows': Orphean Sexuality, and the Exile of Chaucer's Pardoner."  Viator, 24, l993: 269-86.

"May Devoid of All Delight': January, The Merchant's Tale, and the Romance of the Rose,"Studies in Philology, LXXXVII, No. 3 (Summer, l990): 261-84.

 

Commissioned Academic Essays and Editorial Work

 

"Interior Negotiations: Piers Plowman and the Dream Vision Genre."The Blackwell Companion to British Literature. Vol. 1. Ed. Robert DeMaria, Jr., Heesok Chang, and Samantha Zacher.

 “Alliterative Wombs and the Wars of Alexander.” In Middle English Alliterative Poetry: Essays in Honour of  Thorlac Turville-Petre. Ed. Hoyt Duggan and John Burrow. Four Courts Press, Dublin, 2010.

“From Troy to 95 Lincoln Place, Irvington, NJ: A Virgilian Reading of the Sopranos Underworld.  Considering David Chase: Essays on The Sopranos, Northern Exposure, and The Rockford Files.  Ed. Thomas Fahy (Jefferson, North Carolina: McFarland Press, 2007): 196-213.

I have been credited with a “special contribution” in a number of volumes in the William Belan English Madrigal Choral Series, providing critical analysis of the madrigals: Gibbons, Orlando. The Silver Swan; Farmer, John. Fair Phyllis I saw; Dowland, John. Come again sweet love (Los Angeles: Gentry Publications, 2007).

I am also credited with a “special contribution” in William Belan, A Handbook for the Performance of English Madrigals. (Los Angeles: Gentry Publications, 2007). For this book I wrote a critical analysis of the madrigals and provided an overview of English prosody and a guide for reading.

Broadview Anthology of British Literature: Volume One: The Medieval Period. Prepared a unit on the poet John Gower, including edited selections from his works and an “In Context” set of supplemental readings. A fuller version is available on the website of that press: http://www.broadviewpress.com/babl/index.php?option=com_content&task=vie...

"Chaucer's Knight."  In Chaucer's Pilgrims: A Guide to the Professions in the Canterbury Tales.  Ed. Robert and Laura Lambdin.  (Greenwood Press, 1996): 1-13.  

"Boccaccio and Feminism." in Medieval Women: An Encyclopedia.  Ed.  Nadia Margolis and Katherina M. Wilson.  (New York and London: Routledge, 2004).

 

Work In Progress (for peer-reviewed publications)

          Editions in Progress

Hm 143 a Huntington Library Manuscript of the C-text of Piers PlowmanThe Piers Plowman Electronic Archive.  With Hoyt and Gayle Duggan and Patricia Bart.   Also on line: http://piers.iath.virginia.edu/index.html

York University Library , Borthwisk Add ms 196 (W) A Manuscript of the C-text of Piers PlowmanThe Piers Plowman Electronic Archive.  For this ms, I am part of a team of transctribers and editors in a groupr editing project in progress.

 

 

Book Reviews

Note: some of my book reviews are published not in print but in the on-line journal, “The Medieval Review” at: http://quod.lib.umich.edu/t/tmr/; their citation method is yr/mo/day

 

Scribes and the City: London Guildhall Clerks and the Dissemination of Middle English Literature 1375-1425. Linne R. Mooney and Estelle Stubbs.  The Medieval Review, 14.08.06.

Probable Truth: Editing Medieval Texts from Britain in the 21st-century. Ed. Vincent Gillespie and Anne Hudson. Yearbook of Langland Studies, 2014.

William Langland, Piers Plowman: A Parallel-Text Edition of the A, B, C and Z Versions.  Edited by A. V. C. Schmidt. Kalamazoo: Medieval Institute Publications, 2011. Second edition. JEGP Vol.112.3 (2013): 394-396.

William Langland, Piers Plowman: A Parallel-Text Edition of the A, B, C and Z Versions. Volume II: Introduction, Textual Notes, Commentary, Bibliography, and Indexical Glossary.  By A. V. C. Schmidt. JEGP Vol 111. Number 1 (January 2012): 127-30.

In Strange Countries: Middle English Literature and its Afterlife. Essays in Memory of J.J. Anderson. Ed. David Matthews. TMR 12.03.01.

Medieval Grammar and Rhetoric:  Language Arts and Literary Theory AD 300-1475, Rita Copeland with Ineke Sluiter. TMR 11.5.07

Desiring Bodies: Ovidian Romance and the Cult of Form. Gregory Heyworth. Studies in the Age of Chaucer 32 (2010): 417-420.

The Seven Seals of the Apocalypse, ed. Francis X Gumerlock. TMT 10.10.2.

Design and Distribution of Late Medieval Manuscripts in England, ed. Margaret Connolly and Linne R. Mooney. The Medieval Review. 10.03.07

Geoffrey Chaucer and the Poetics of Disguise. Esther Casier Quinn. The Medieval Review. 09.10.10.

Excrement in the Late Middle Ages: Sacred Filth and Chaucer’s Fecopoetics. Susan Signe Morrison. Speculum. 85.2. (May 2010): 440-41.

The Masculine Self in Late Medieval England. Derek G. Neal. University of Chicago Press, 2008. Clio 2009, Vol 38 no. 3: 359-64.

Allegory and Sexual Ethics. Noah D. Guynn. Speculum 84.1 (January 2009): 150-52.

Manmade Marvels in Medieval Culture and Literature. Scott Lightsey. Yearbook of Langland Studies. 2009.

Chaucer’s Queer PoeticsSusan Schibanoff.  Speculum. 83.3 (July 2008): 748-50.

The Writings of Julian of Norwich. Edited by Nicholas Watson and Jacqueline Jenkins. The Medieval Review 07.10.28.

The Legend of Good Women: Context and Reception. Edited by Carolyn P. Collette. JEGP. 107 No. 4 (October 2008): 530-33.

Ovid’s Art and the Wife of Bath: The Ethics of Erotic Violence.  Marilyn Desmond. Studies in the Age of Chaucer 29 (2006): 482-85.

Translating Desire in Medieval and Early Modern Literature, ed. Craig Berry and Heather Richardson Hayton. Comparative Literature Studies 44 No. 3 (2007): 353-55.

The Siege of Jerusalem, ed. Michael Livingston, The Medieval Review. 06.09.15

Intercies: Studies in Middle English and Anglo-Latin Texts in Honour of A. C. Rigg, ed. Richard Firth Green and Lynne R. Mooney, The Medieval Review 06.01.17.

Abandoned Women:  Rewriting the Classics in Dante, Boccaccio, and Chaucer.  Susan Hagedorn. JEGP, 104 No. 3 (July, 2005): 400-402.

Francesco Petrarch, Petrarch on Religious Leisure, ed. and trans., Susan S. Schearer, The Medieval Review 04.02.43.

Representing Rape in Medieval and Early Modern Literature, ed. Elizabeth Robertson and Christine M. Rose.  Studies in the Age of Chaucer 25 (2003): 416-20.

Thomas Hoccleve 'My Compleinte' and Other Poems, ed. Ellis, Roger, The Medieval Review 02.09.42.

Rape and Ravishment in the Literature of Medieval England.  Corinne Saunders.  Le Cygne. Volume 1, New Series (Fall 2002): 41-44.

The Postcolonial Middle Ages, ed. Jeffrey Jerome Cohen. The Medieval Review 01/10/16.

Glamorous Sorcery: Magic and Literacy in the High Middle Ages, David Rollo.  Speculum 77 (October, 2002): 1386-88.

Richard the Redeless and Mum and the Sothsegger, ed. James Dean, James. The Medieval Review 01/09/20.

Writing East:  The “Travels” of Sir John Mandeville, Iain Macleod Higgins.  Aurthuriana. 2000.

New Medieval Literatures, ed.  Scase, et al.  The Medieval Review, 99.03.16.       

Boccaccio’s Dante and the Shaping Force of Satire, Robert Hollander. The Medieval Review 98.06.09.

Medieval Christian Perceptions of Islam, ed. John Tolan.  The  Medieval Review,  97.09.07.

Geoffrey Chaucer's Wife of Bath, ed. Peter Beidler.  The Medieval Review 96, 10, 15.

Rhetoric, Hermeneutics, and Translation in the Middle Ages, Rita Copeland. Philosophy and Literature, 19, Number 2 (October 1995).

The Complete Works of the Pearl Poet, Casey Finch.  The Medieval Review 95, 4, 5.

Christ's Body, Sarah Beckwith.  Philosophy and Literature, l8, Number 2 (October l994).

Bodytalk, E. Jane Burns.  Philosophy and Literature, l8, Number 2 (October l994).

Women's Lives in Medieval Europe:  A Sourcebook, ed. Emilie Amt. The Medieval Review, 94, 9, 10.

A Legend of Holy Women, Trans. Sheila Delany. The Medieval Review, 94, l, 4.

The Tragic and The Sublime in Medieval Literature, Piero Boltani.  Philosophy and Literature 18, Number l (April l994).

 

RECORDED PERFORMANCES OF MEDIEVAL POETRY

Organizer, Director and performer in the Middle English Cleanness, produced by the Chaucer Studio, 2005 and recorded at the 38th Annual International Conference of Medieval Studies, Kalamazoo, MI, May 2003. http://creativeworks.byu.edu/chaucer/

“Absolon” in The Miller’s Tale, Produced by the Chaucer Studio, 1997.  NCS Readings 11. Recorded at the Tenth International Congress of the New Chaucer Society, UCLA, Los Angeles, CA, July 1996. http://creativeworks.byu.edu/chaucer/

Organizer, direstor, performer in Piers Plowman produced by the Chaucer Studio in 2011, 2013 and recorded at the 2009 meeting of the Medieval Association of the Pacific. http://creativeworks.byu.edu/chaucer/

 

PAPERS PRESENTED AT NATIONAL, INTERNATIONAL AND REGIONAL CONFERENCES

 

 

Textual Reform and Resistance in the editing of Hm143 (X), a Piers Plowman manuscript in the Huntington Library. The 2015 Annual Mereting of the Medieval Association of the Pacific, April 10, 2015, University of Nevada at Reno.

“Grit, Pride, and Empowerment in the Teaching of Medieval Literature at CSULA” CSULA Symposium on University Teaching, March 14, 2015.

“Piers Plowman and Diversity.” Roundtable Discussion. 49th International Congress on Medieval Studies. Kalamazoo, MI, May 2014.

“Teaching Cleanness.” 49th International Congress on Medieval Studies. Kalamazoo, MI, May 2014.

“Langland’s Failed Revisions across the A, B and C texts of Piers Plowman.” The 2013 Annual Meeting of the Medieval Association of the Pacific. March 30, 2012. The University of San Diego.

 

“Is Piers Plowman really a Dream Vision?” The 2012 Annual Meeting of the Medieval Association of the Pacific. Friday, March 30, 2012. Santa Clara University.

“Dream, interpretation and authority in Piers Plowman.” ALSCM Annual Conference. Claremont McKenna College March 10, 2012.

Human Learning and Salvation in Pre-Reformation Literature in England. Conference on Modernity, Critique, and Humanism, California State University, Los Angeles. February 12-13.

“Langland and Gower.”  Medieval Association of the Pacific Annual    Meeting. University of Puget Sound. 2010.

Hm128 as a Medieval Book. Annual Meeting of the New Chaucer Society, Siena, Italy, July 2010.

“Hm 128, a Piers Plowman Manuscript as a “Medieval Book.” Medieval Association of the Pacific Annual Meeting. University of New Mexico. March 7, 2009.

“Alliterative Wombs and the Wars of Alexander.”  International Congress on Medieval Studies, Western Michigan University, Kalamazoo, May 2008.

“Will and Troilus.”  Medieval Association of the Pacific Annual Meeting. UCLA, March 3, 2007.

“Sexual Stamina and Competition in Boccaccio and Chaucer.” 122nd Annual MLA Convention, Philadelphia PA, December, 2006.

“Being a Man in the Troilus and Piers Plowman,” International Congress on Medieval Studies, Western Michigan University, Kalamazoo, May 2006..

“Correction, Erasure, and Authority in Hm 143, a C-text of Piers Plowman.”  Presented at the Third Annual Meeting of the Editorial Board of the Piers Plowman Electronic Archive, UVA, Charlottesville, VA August, 2005.

“Dorigen’s Flirtations and Chaucer’s Boccaccian Depiction of Women’s Language” presented at Words of Love and Love of Words, a conference held at the University of Arizona, April 30, 2005.

"Chaucer's Franklin' Tale and Woman's Boccaccian Language."  Biannual meeting of the New Chaucer Society, University of Glasgow, Glasgow, Scotland, July 19, 2004.

"Prostitutes in the C-Text of Piers Plowman." Joint Meeting of the Medieval Academy of America and the Medieval Association of the Pacific. University of Washington, Seattle WA,  April 2004.

Uncertainty and Ambiguity in the Editing of MS HM 128 of Piers Plowman."  International Congress on Medieval Studies, Western Michigan University, Kalamazoo, May 2003.

"Teaching Chaucer to Ethnically Diverse Populations." Panel Discussion. New Chaucer Society Meeting, U. of Colorado at Boulder, July 2002.

"Some Observations on the MSS. of the Prick on Conscience in the Huntington Library."  International Congress on medieval Studies, Western Michigan University, Kalamazoo, May 2002. Also session organizer.

"Male Piety and Sexuality in Boccaccio's Decameron." Conference on Holiness and Masculinity.  University of Huddersfield, Huddersfield, England, July 2001.

"Space, Secrets, and the Search for Privacy in the Lais of Marie de France."  International Medieval Congress at Leeds, July, 2001.

"Tracing the Patterns of Scribal Intervention in Hm 128, an early 15th-century ms. of the B text of Piers Plowman." Re-Marking the Text. University of St. Andrews, Scotland, July, 2001.

"Images of Male Impotence in Late Medieval Narrative." Meeting of the Medieval Academy, Arizona State University, March, 2001.

"On Editing Hm 128:  the B text of Piers Plowman." Panel Presentation. 35th International Congress on Medieval Studies. Western Michigan University, May, 2000.

"Becoming Male in Ovid's Metamorphoses and Boccaccio's Decameron.  35th International Congress on Medieval Studies. Western Michigan University, May, 2000

“The Sexual Initiation of the Young in Ovid’s Metamorphoses and Boccaccio’s Decameron.  American Association of Italian Studies, Eugene Oregon, April 15th, 1999.

"Teaching the Modern Field of Folk:  Class, Ethnicity and Medieval Studies."  31th. International Congress on Medieval Studies, Western Michigan University, May, 1997.

"Caliban in the Southland:   Poetics, Politics and Teaching Shakespeare's Tempest."  Sixth Annual CSU Shakespeare Symposium, CSULA, Nov. 22, 1996.

"The Harassment of Modthryth and Feminist Politics in the Medievalist's Classroom."  30th International Congress on Medieval Studies, Western Michigan University, May, 1996.

"Between Despair and Ecstasy:  Marco Polo's Life of the Buddha."  Medieval Academy Meeting, in Kansas City, 4, 96.

"Sex and Spirituality in Marco Polo's Far East."  South East Medieval Association Meeting,  College of Charleston, 9, 95.

"Medieval Travelers in the World of Suzie Wong"  30th International Congress on Medieval Studies, Western Michigan University, May, l995.

"Feminism and the Packaging of Boccaccio's Fiammetta."  29th International Congress on Medieval Studies, Western Michigan University, May, l994.

"God's Praise of Heterosexual Love in the Middle English Cleanness." Southeastern Medieval Association Conference, New Orleans, Louisiana, September, l993.

"Ovid and the Female Voice in the De Amore and the Letters of Abelard and Heloise."  28th International Congress on Medieval Studies, Western Michigan University, May l993.

"'He do the women in different voices': Three Medieval Ovidian Arts of Love." Southeastern Medieval Association Conference, College of William and Mary, September, 1992.

"'New Armor for the Amazons': The Wife of Bath and a Genealogy of Ovidianism.":  27th International Congress on Medieval Studies. Western Michigan University, May l992.

 

PRESENTATIONS AND INVITED LECTURES (SELECTED)

 

 

Piers Plowman and History. CSULA Department of History Colloquium, September, 2012.

Zhejiang University, September 17, 2012: The Moral, Spiritual, and Religious Doctrines of Geoffrey Chaucer, the Premier Poet of the English Middle Ages.

Hangzhou Normal, University September 19, 2012.. Character, Ethics, and Society in Chaucer: The General Prologue to the Canterbury Tales.

"Editing Piers Plowman and Teaching the Medieval Past" Studies in/of Narrative: Four Critical Essays on Social Facsimiles and Fractured Images of Everyday Life. CSULA Arts and Letters “Powerful Visions” series, Feb 8. 2008 Huntington Library.

"Reading Hm128, a 15th-century Piers Plowman manuscript in the Huntington Library, as a medieval anthology"Center for Medieval and Renaissance Studies Inaugural Graduate Conference November 15, 2008.

Teaching Piers Plowman to a 21st-Century Student Body. Loyola Marymont University, October 15, 2007

Contemporary Masculinity Studies and Alliterative Wombs. University of California at Riverside, Mellon Lecture Series, October 8, 2007

Presentations on English poetry and poetics to students in the “Three Summer Masters of Music Program in Choral Conducting,” 2002, 2002, 2005, 2007, 2008.

“Editing the Piers Plowman Manuscripts at the Huntington Library.    Brown Bag Lecture Series, Huntington Library, September, 2005

“The Perfect Marriage: Text and Music in the Madrigal.” Western Division Convention of the American Choral Directors Association. Hilton Hotel, Las Vegas, NV, February 27, 2004

The Perfect Marriage: Text and Music in the Madrigal” CSULA Faculty Colloquium, February 2003.

 

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Dionne Espinoza

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College of Arts and Letters
Phone: 323-343-4100
Department of Liberal Studies
Email: despino@calstatela.edu Office Location: ET A 413

Andrew Lyndon Knighton

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College of Arts and Letters
Phone: 323-343-4164
Department of English
Email: aknight@exchange.calstatela.edu Office Location: ET
 
Andrew Lyndon Knighton
 
 
Andrew Lyndon Knighton (Ph.D., 2004, University of Minnesota) is Professor of English at California State University, Los Angeles, where he has also served as the Joseph A. Bailey II, M.D., Endowed Chair in American Communities and Director of the CSULA/NEH American Communities Program. He teaches courses in theory, cultural studies, and American literature. His first book, Idle Threats: Men and the Limits of Productivity in Nineteenth-Century America, appeared on New York University Press in 2012, while his research on Nathaniel Parker Willis, Herman Melville, and Nathanael West has been published in journals including ESQ, ATQ, and Literature Interpretation Theory.  Currently he is working on a study of the radical poet Thomas McGrath (see his recent Los Angeles Review of Books essay for a preview)

 

 

 

 


UPCOMING COURSES

Fall 2016

           English 2900   English Tutorial:  "Bartleby"

English 3600   Readings in American Literature

English 5001   Theoretical Foundations of Literary Studies

Spring 2017

English 4601    American Literary History Before 1877

English 5600    Seminar: American Literature

 


PUBLICATIONS

•  Idle Threats: Men and the Limits of Productivity in Nineteenth-Century America                          New York University Press, America and the Long Nineteenth Century series, 2012. Idle Threats: Men and the LImits of Productivity in Nineteenth-Century America

  Book: 

 Idle Threats: Men and the Limits of Productivity in Nineteenth-Century America, New York University Press, America and the Long Nineteenth Century series, 2012.

  Other Publications:

•  "The Liquidity Preference:  Money and Metaphor in Nineteenth-Century American Literature,"49th Parallel: An Interdisciplinary Journal of North American Studies (forthcoming, 2016).

  "Beyond Education in Sickness:  A Biopolitical Marcuse and Some Prospects for University Self-Administration,"Theory & Event (forthcoming, 2016).

•  “Committed Art,” in German Aesthetics:  Fundamental Concepts from Baumgarten to Adorno, ed. J.D. Mininger and Jason Peck, Bloomsbury Press, 2016.

  "The Life of a Dangerous Time:  Thomas McGrath and the Potential of Poetry,"Journal for the Study of Radicalism 9:3 (Fall 2015).

     •  “The Wreck of The Corsair:  Nineteenth-Century Publishing and Piratical Enterprise,” in Pirates and Mutineers in Nineteenth-Century Literature, ed. Grace Moore (Ashgate, 2011), pp. 79-94.

•  “Hollywood Panoramatics:  Nathanael West’s Baroque Modernity,"Literature Interpretation Theory 21:3 (July- September 2010), pp. 145-162.

  “Money, Mobility, and the Idle Speculation of Nathaniel Parker Willis,"ATQ 22:4 (December 2008), pp. 559-575.

  “The Bartleby Industry and Bartleby’s Idleness," ESQ 53.2 (2007), pp. 184-21

  “Transmission, Temporality, Autonomy:  What Praxis Means in the Novels of Kenneth Fearing,” (co-written with Dr. David Jenemann, Univ. of Vermont) in The Novel and the American Left, ed. Janet G. Casey, University Of Iowa Press, 2004, pp. 172-194.

Book Reviews, Exhibition Catalogs, Etc.:

     • Adam Cvijanovic: New Paintings, Franklin Art Works, Minneapolis (2008).

     • McKnight Foundation-Minneapolis College of Arts and Design Fellows Exhibition, Minneapolis (2004).

     • “Robert Seguin – Around Quitting Time: Work and Middle-Class Fantasy in American Fiction,"Cultural Critique 56 (Winter 2004), pp. 212-218.

     • “Michel Foucault – Fearless Speech," Auslegung:  A Journal of Philosophy 26.1 (Winter-Spring 2003), pp. 77-80.

     • Twins, Soo Visual Arts Center, Minneapolis (2002).

     • “Theodor Adorno – Critical Models," Auslegung:  A Journal of Philosophy 24.2 (Spring-Summer 2001), pp. 215-218.

 


COURSES

Courses taught at CSULA:

• ENGL 570, Seminar:  Melville’s Selves

• ENGL 570, Seminar:  The Literary Institution and Sites of Reading in American Culture

• ENGL 570, Seminar:  Poe and Print Culture

• ENGL 541, Seminar:  Money and Meaning:  Studies in Economic Criticism

• ENGL 541, Seminar:  The Marxist Tradition in Literary Analysis

• ENGL 510, Historical Criticism:  The American Renaissance and Beyond

• ENGL 501: Theoretical Foundations of Literary Studies

• ENGL 492, Senior Seminar:  Bodies of Work – Dickinson and Whitman

• ENGL 492, Senior Seminar:  Poe, Poetics, and Property                        

• ENGL 492, Senior Seminar:  Fictions of Finance: American Literature and Culture of the Gilded Age 

• ENGL 492, Senior Seminar:  Problems and Problematics in Poe

• ENGL 475A: American Novel: Nineteenth Century

• ENGL 475C: American Novel Since 1945

• ENGL 472: American Literature, 1860-1914

• ENGL 471: American Literature, Beginnings to 1860

• ENGL 452: Reading Culture

• ENGL 260: Women and Literature

• ENGL 250: Understanding Literature

 


EDUCATION

Ph.D.     2004                 University of Minnesota, Twin Cities; Program in Comparative Studies in Discourse in Society 

(Minor field:  Comparative Literature)

M.A.      1997                  University of Minnesota, Twin Cities; Program in Comparative Studies in Discourse and Society

B.A.       1991                 University of Minnesota, Twin Cities; Majors in Middle Eastern Studies, Political Science

 

           

A615 Additional Website:

Christopher Sean Harris

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Harris running Nike Women's Marathon
College of Arts and Letters
Phone: 3233435543
Writing Across the Curriculum Program
Email: charris3@exchange.calstatela.edu Office Location: LPW

Christopher Sean Harris began teaching in the English Department at California State University, Los Angeles in August, 2009, and specializes in rhetoric and writing. 

A graduate of Bowling Green State University (PhD in Rhetoric and Writing) and South Dakota State University (BA, MA in English), Harris served four years in the United States Marine Corps ("Just passing time," as Lucas Jackson would say) before attending college. While attending college, Harris worked on the graveyard shift at two factories and a hotel, and he spent his summers building log houses for Twin Springs Log Homes in Hill City, SD. During his free time, Harris enjoys outings with his wife and daughters, endurance sports, and upcycling.

As an undergraduate at South Dakota State University, Harris focused his elective studies in minority literature and earned a certificate in European Studies. During his master's degree studies, Harris concentrated on composition-rhetoric and American Literature of the 1800s, writing his thesis about Timothy Shay Arthur's Ten Nights in a Bar-Room and what I Saw There.  As a graduate student at Bowling Green State University, Harris concentrated in the history of composition instruction, teaching with computers, and alternative rhetorics, writing his dissertation, First-Year Composition Handbooks: Buffering the Winds of Change, about the ways in which composition textbooks historically have both reflected and guided composition instruction, just as culture breathes life into genres. 

Recent publications include "First Steps with ePortfolios on a Technology-Hesitant Campus," which appeared in the In Computers and Composition Online Special Issue on Deploying 21st Century Writing on the Economic Frontlines, and “From the CMS Sepulcher, the Phoenix, Moodle Rises," which appeared in the In Computers and Composition Online Special Issue on Open Source and Free Software. Currently, Harris is working on a multimodal analysis of writing instruction of the 1800s.

Harris currently teaches a range of courses, including English 550: Seminar in Rhetoric and Composition: Visual Rhetoric, Electronic literature and Digital Rhetoric; English 310: Genres of Writing; English 505: Language and Literacy; English 102: Composition; English 101: Composition; English 504: Theories of Composition and Rhetoric; EDAD 626: Writing the Doctoral Dissertation.

1061

Talia Mae Bettcher, Professor and Chair

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College of Arts and Letters
Phone: 3-4179
Department of Philosophy
Email: tbettch@exchange.calstatela.edu Office Location: ET

Research Interests

Feminist Philosophy, Transgender Studies, Queer Theory, Early Modern Philosophy, Philosophy of Self  

Courses

(Fall 2016): PHIL 3270: Philosophy, Gender, and Culture; PHIL 3330: Engaged Philosophy

Office Hours

Tuesday and Thursday 2:00-4:00 

 About 

I am an engaged philosopher who integrates critical reflection with tangible and meaningful action in our lived world. Much of my work in transgender studies flows from my personal experience as a trans woman and through being actively involved in in trans community subcultures and grass-roots organizing in Los Angeles for the past fifteen years. My philosophical investigations, even at their most abstract, aim to capture realities that are experienced by flesh and blood people and that can have political and practical consequences (see, for example "Recommended Models and Policies for LAPD Interactions with Trans Individuals". Much of this policy was eventually adopted. Click here for more info). When traditional philosophy has failed me, I have even turned to performance art as a way to explore philosophical trans/gender issues in less conventional ways.  My hope is that others can gain real benefit from my philosophical work – if only as a challenge to think more deeply about gender and sex, and perhaps even as a new way of thinking about things.

I work as a Professor of Philosophy at California State University, Los Angeles. I currently serve as Chair of the department. And I previously directed the Center for the Study of Genders and Sexualities (2008-11). Some of the courses that I teach include Introduction to Transgender Studies, Introduction to Trans/Feminism, Philosophy, Gender, and Culture, Philosophy of Self, Early Modern Philosophy, The Philosophy of George Berkeley, and The Meaning of Life.

I am member of Hypatia: A Journal of Feminist Philosophy's editorial board, and a member of the founding editorial board of Transgender Studies Quarterlythe first-ever non-medical journal focusing on transgender issues. I have also served as a judge for the Lambda Literary Awards (2013).

I am currently writing a monograph entitled Reality Mare: Reflections on Transphobia, Trans Feminism, and the Structures of Personhood.

 

Performances

Lectures

 

Courses (On-line)

Webinars

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Publications (SelectedFor access to some my writings, see: https://calstatela.academia.edu/TaliaBettcherAlso visit www.learningtrans.org

Books and Edited Collections

  • Transgender Studies and Feminism: Theory, Politics, and Gender Realities, Hypatia: A Journal of Feminist Philosophy 24:3 (2009). Special issue co-edited with Ann Garry.
  • Berkeley: A Guide for the Perplexed, Continuum Press, 2009.
  • Berkeley’s Philosophy of Spirit: Consciousness, Ontology and the Elusive Subject, Continuum Press, 2007.

Articles, Chapters, and Entries

  • “Intersexuality, Transsexuality, Transgender,” in Oxford Handbook of Feminist Theory, eds. Mary Hawkesworth and Lisa Jane Disch, Oxford University Press, 2015 (forthcoming)
  • “Trapped in the Wrong Theory: Re-Thinking Trans Oppression and Resistance,” Signs: Journal of Women in Culture and Society 39:2 (Winter 2014).
  • “When Selves Have Sex: What the Phenomenology of Trans Sexuality Can Teach Us About Sexual Orientation,” Journal of Homosexuality 61:5 (2014), 605-620.
  • “Transphobia,” Transgender Studies Quarterly “Postposttranssexual Terms for a 21st Century,” 1:1 (2014), 249-51.
  • "Feminist Perspectives on Trans Issues," The Stanford Encyclopedia of Philosophy (2009/2014 revised),Edward N. Zalta (ed.)
  • “Trans Women and ‘Interpretive Intimacy’: Some Initial Reflections,” in The Essential Handbook of Women's Sexuality (ed. D. Castenada), Praeger, 2013, 51-68.
  • "Trans Women and the Meaning of ‘Woman’” in Philosophy of Sex: Contemporary Readings (Sixth Edition, eds., A. Soble, N. Power, R. Halwani), Rowman & Littlefield, 2012.  
  • “Full-Frontal Morality: The Naked Truth about Gender,” Hypatia: A Journal of Feminist Philosophy 27:2 (2012), 319-337
  • “Trans Identities and First-Person Authority” in You've Changed: Sex Reassignment and Personal Identity (ed. Laurie Shrage), Oxford University Press, 2009
  • “Evil Deceivers and Make-Believers: Transphobic Violence and the Politics of Illusion,” Hypatia: A Journal of Feminist Philosophy 22:3 (2007), 43-65.

Reprinted in The Transgender Studies Reader 2 (eds. Susan Stryker and Aren Z. Aizura, Routledge (2013).

  • “Gender, Identity, Theory, and Action” in Gender, Identity, Equity and Violence (ed. Geraldine Stahly), monograph series Multidisciplinary Perspectives on Enduring Societal Issues, Stylus Publications, 2007, pp. 11-24.

 

 

 

432 Additional Website:

Alan Bloom

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Photo of Professor Alan Bloom
College of Arts and Letters
Department of TV, Film and Media Studies
Email: abloom@calstatela.edu Office Location: MUS

INTRODUCTION

I am a professor specializing in film and video production in the Department of Television, Film and Media Studies. I have been a university professor for the last 43 years. I have been on the faculty here since 1981, with two years leave (82-84) to work as Program Director in charge of the Video Center at The American Film Institute. Prior to joining the faculty at CSLA I taught at Temple University in Philadelphia, West Virginia State College and California College of Arts and Crafts in Oakland. As a director, producer and/or writer I have made more than 300 films and video tapes in the last 52 years.


TEACHING INTERESTS

During my career I have taught a wide range of film and video production and studies classes at both the graduate and undergraduate levels. I enjoy teaching film and video production in a variety of creative environments.

I seek out unique learning situations at every opportunity and for the past 28 years I have been involved with the CSU Summer Arts program , first at Cal Poly SLO (86-87), then at Humboldt State (88-95), Cal State Long Beach (96-98) and Fresno State (2005). At Summer Arts we were able to create a one-of-a-kind high intensity hands-on workshop for graduate and advanced undergraduate students in professional 35mm motion picture production techniques. This groundbreaking program has attracted the sponsorship of major entertainment industry companies like Kodak, Fuji, Panavision, Sony, Warner Bros., Avid, Mole Richardson, Canon, Kino Flo, Chapman and Fotokem. 

I integrate my production with my teaching. My crews are almost always made up of at least 80% students and former students. In this way I provide my advanced students with real world opportunities while at the same time giving them an opportunity to begin networking with professionals and former students already working in the field. 


PROFESSIONAL/CREATIVE ACTIVITIES

Film is the most collaborative art form and requires the coordinated efforts of writers, cinematographers, directors, performers and others. My film and video works include substantial collaborative work with artists from theater, music and dance. I have created music video and dance works with artists like Bobby McFerrin and choreographer Peter Pucci. I have been fortunate to have worked with some wonderful artists including Edward James Olmos, John Wesley Harding, Kristin Hersh, LaVar Burton and Vilmos Zsigmond.

During the last five decades a significant portion of my work has been documentaries and music videos.  The music videos allow me to set aesthetic challenges for myself while engaging in interesting collaborations. I love to use color and visual texture as a lens on the quality of performance and a use of dreamlike spaces.

Through the documentaries I can explore things of interest to me (usually socio-political issues, education, human rights, healthcare, the arts or developments in film and video production),  In addition to my other projects I have created public service campaigns promoting education, human rights and health

 


A Representative Selection of Recent Production Activities

(1987-2016)

 

 
DateProductions
2014Faculty Award Documentary Profiles, Six documentary shorts created for the presentation of the 2014 Cal State L.A. Outstanding Professor, Outstanding Lecturer and President's Distinguished Professor Award winners (Two are included below)

1-OPA-Choi Chatterjee from Alan Bloom on Vimeo.

6-PDP-James Brady from Alan Bloom on Vimeo.

2011I Built It Green! (documentary & spots) State of California, Office of the Governor

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2008I Built It! (documentary & spots) California Department of Industrial Relations& Office of the Governor

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2007Disaster Assistance (spot campaign) FEMA, Homeland Security & The Governor's Office of Emergency Services
2006Tradition, Place, Promise and Purpose (PSA campaign) The Division of Extended Education at California State University, Los Angeles
2002Living a Legacy of Excellence: The Department of Chemistry and Biochemistry at California State University, Los Angeles (documentary)
2001Award Reel, created and screened as part of a ceremony honoring my career at the statewide CSU Media Arts Festival. Clips include examples of series work, PBS documentaries, educational projects, spots and music videos.
2001Commercial and Residential Roofing Safety (two documentaries) CalOSHA, California Department of Industrial Relations. Narrated by Edward James Olmos.
2000CalOSHA Consultation (documentary) California Department of Industrial Relations. Narrated by Edward James Olmos.
2000Digital Hollywood (documentary). PBS/KCET.
1999Apprenticeships: California's Best Kept Secret (documentary) California Department of Industrial Relations. Narrated by Edward James Olmos.
1998TIPP (documentary) California Department of Industrial Relations. Narrated by Edward James Olmos.
1997Computer Illusions (documentary) The Learning Channel and more than 20 international broadcast networks
1997Tomorrow's Education Today (documentary) Video Cassette, CSU Institute/CEU
1996Cupid and Pycho (music video) John Wesley Harding, Rhino Records
1995Good Things (music video) BoDeans , Warner Bros.
1994Beestung (music video) Kristin Hersch, Warner Bros.
1994One (music video) BiGod20, Warner Bros.
1994G.O.T.V. (documentary) The California Democratic Party
1993Summer Single (music video) John Wesley Harding, Warner Bros.
1993The Truth (music video) John Wesley Harding, Warner Bros.
1993Sing (Dance Video) Peter Pucci, Choreographer
1992Computer Visions (documentary) PBS, Laser Disc, Video Cassette
1992Kill The Messenger (music video) John Wesley Harding, Warner Bros.
1991The World (music video) John Wesley Harding, Warner Bros.
1990Scared of Guns (music video) John Wesley Harding, Warner Bros.
1989Let The Bells Ring (music video) 7A3, Geffen Records.
1988Computer Dreams (documentary) PBS, Laser Disc, Video Cassette
1987Opportunity (music video) Bobby McFerrin, Capitol/EMI

 



Educational Background


M.F.A. Television 1975, California College of Arts and Crafts (renamed California College of the Arts) , Oakland;
B.A.with Honors and Distinction in Art Studio/Filmmaking 1973, Sonoma State , Rohnert Park, CA;




Winter 2016 Schedule


CourseSect. No.TitleUnitsDay & TimeRoom
TVF 328001Film History3.0Monday 6:00 - 8:45 PMMUS 219
TVF 4300

 

01, 02, 03

Documentary Field Production4.0Monday/Wednesday Lecture 11:00-11:50 AM,
Mon (Lab 1) 12:00-1:40 PM,
Tues (Lab 2) 12:00-1:40 PM
MUS 255

 

TVF 4970

 

01, 02, 03

 

TVF Portfolio

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Friday

Lecture 12:00-1:40 PM,

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251 Additional Website:

Tanya Kane-Parry

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Tanya Kane-Parry - Professor/Director/Choreographer
College of Arts and Letters
Department of Music, Theatre and Dance
Email: tkanepa@exchange.calstatela.edu Office Location: MUS

Background & Biography

BFA in Acting: Tisch School of the Arts/NYU (Circle-in-the-Square & the Experimental Theatre Wing); MFA in Directing: UMASS/Amherst

Professor: Acting, Voice for Actors & Dancers, Contemporary Dance, Viewpoints, Experimental Theatre & Performance. Joined the Department in 2001

Tanya directs and choreographs theatre, opera and dance and is the Artistic Director and co-founder of Opera del Espacio. Credits include Tosca Jumps!, a multimedia adaptation of Puccini’s opera (EdgeFest/LATC, Highways, Luckman Intimate); Supreme Being by Richard Foreman; Romeo and/y Juliet(a), a Spanglish Re-Mix with Quantum Theatre, and a touring production of Ubu Roi in Brazil. She has directed Carmen (Pacific Repertory Opera), The Coronation of Poppea (CSULA) and The Medium (CSULA), an extracted semi-staged productions of Don Giovanni and The Barber of Seville with the Bakersfield Symphony Orchestra, the avant-garde multimedia opera The Wall: A Musical Misdeed, (CSULA) a semi-staged production of Phillip Glass’s Civil Wars with the LA Phil, La Traviata with Angels Vocal Art. and Savitri and River of Light with Festival Opera. At Long Beach Opera she choreographed The Man from Atlantis, The Clever One and Moscow, Cherry Town. At Los Angeles Opera she was the Assistant Director on Madama ButterflyThe Barber of Seville, CarmenThe Broken JugThe Dwarf and The Merry Widow. With Barcelona director, Joan Font, she was the Associate Director on The Barber of Seville (Houston Grand Opera Theatre, L’Opera National de Bordeaux, Gran Teatro de Liceu, Canadian Opera Company), L’Italiana in Algers (Houston Grand Opera) and Cinderella (LA Opera, Opera Omaha, Washington National Opera). With Opera del Espacio she directed/choreographed I’ve Fallen/Clap Off! at Highways Performance Space; The Way Of Water by Caridad Svich at Cal State LA, Bootleg Theatre, Cal Poly Pomona, Hollywood Fringe and South Coast Rep’s SCRamble; Meet Me @ Metro II and III Space: The Final Frontier presented at SOSE as part of the Company Creation Festival; Private in Public for the SoCal Dance Invitational Concert and the World Dance Alliance-Americas in Honolulu; Triple [Inter]sect dance concert at Highways Performance Space; multiple site-specific performances at the desert ruins at Llano del Rio, Downtown Art Walk, Brewery Art Walk, Echo Park Art Walk, The Series at the Standard and more. Recently she directed Norma at Skagit Opera and then spent 5 weeks in Japan studying with Masters in Butoh Dance with the support of the Aurora Foundation Challenge Grant. She then directed The News by Jacob TV with Long Beach Opera in June, and then the SoCal premiere of Adam Gorb’s ANYA 17 with Angels Vocal Art in July 2016.

Since 2001, Tanya has been a professor in the Department of Music, Theatre and Dance at Cal State LA. After her initial years of setting up a comprehensive undergraduate acting program, Tanya then began teaching both in the dance program and in the MA in Theatre program. Now overseeing the newly revised MFA in TV, Film, Television/Performance Option program, Tanya is simultaneously training graduate students to teach in the undergraduate program. Her teaching includes: Acting, Voice, Viewpoints, Contemporary Dance, Experimental Performance and more.

During her Fall 2014 Sabbatical, Tanya travelled Europe visiting theatre and dance programs, seeing productions and meeting artists. She taught Viewpoints workshops at Atalaya-TNT in Sevilla, the Superior School of Dramatic Art of the Islas Baleares Viewpoints Workshop with students presented to the entire school (this link as well). And the University of Islas Baleares – Viewpoints Workshop and post-workshop Interview Posted Online

Recent Activities:

July 2016 - directed the Southern California premiere of composer Adam Gorb's work on survivors of sex trafficking, ANYA 17 presented by Angels Vocal Art.

 ANYA 17 Anya 17 - Natalia Aria

Reviews: http://peoplesworld.org/human-trafficking-and-sex-slavery-the-opera/ 

and http://www.pasadenanow.com/living/contemporary-opera-addresses-sex-trafficking/

Anya 17 - Viktor beating Anya Anya 17 - Viktor vs. Gabriel

June 2016 - directed the multimedia opera The News by Dutch composer Jacob TV with Long Beach Opera, presented at the Broad Theatre. 

The News - Pom Poms The News - McD's

The News - Exactly           

Reviews

THE ARGONAUT

BROADWAY WORLD

CLASSICALITE.COM 

THE DAILY NEWS/ LONG BEACH PRESS-TELEGRAM 

THE GUARDIAN  

THE JEWISH JOURNAL OF LOS ANGELES 

 

 

April/May 2016 - Butoh Dance study with Master Teachers in Japan funded by the Aurora Foundation Challenge Grant (2015/16 recipient)

 

March 2016 - directed Bellini's Norma at Pacific Northwest Opera (formerly Skagit Opera)

Norma Finale #1 Norma Finale #2

Norma Finale #3

Review

 

March 2016 - Coordinator for the American College Dance Association Baja Regional Conference, hosted at Cal State LA, that included over 30 area dance programs, 4 Adjudicated Concerts, 3 Informal Concerts and over 450 attendees.

Conference Website  -  Conference Facebook page

Upcoming

Triple Intersect

Triple [Inter]sect is an inter-generational feminist examination of the tangible and abstract forces that jostle, push and ply the female body. Three divergent female voices (di)(con)verge in an evening of dance and performance from Opera del Espacio, Gayle Fekete and Mechanism Dance Theatre.

    Highways Performance Space

 

SHREDDED    

 

 

La Traviata with singers in the Angels Vocal Arts Summer Opera Intensive Professional Program, July 2015.

LA TRAVIATA

 
Workshop for the Directors Lab West on May 2015: 
Cal State LA, Music Courtyard
Let the Space Tell the Story: Creating Exciting Theatre In Non-Traditional Spaces
with Opera del Espacio’s Tanya Kane-Parry (DLW ‘03)
This workshop engaged Lab participants in exploring the multiple ways to conceive, explore and present Site-Specific live performance. Utilizing some of the primary vocabulary of Viewpoints to investigate outdoor spaces, then discovering how to interact with the locale, architecture and environment in relationship to text and story (Waiting for Godot).
DIRECTOR'S LAB WEST
 

History Department Colloquium, May 2015 - Tanya Kane-Parry 
“The Politics Of Outdoor Performances: Who Gets Access And Who Gets Ignored"
 

The Office of the Provost is proud to recognize four additional Cal State L.A. faculty for their research related to sabbatical work. 

Provost’s Scholarship Symposia, Tuesday, May 12, 3:15 to 4:30 p.m.

Madhu S. Mohanty (Economics): “Two Major Determinants of Happiness: A Case for Supplementing Traditional Schooling with Value Education”

Kate Sullivan (Anthropology): “Governing Ocean Space”

Joseph Prabhu (Philosophy): “Encounter of Religions in a Global Age: Beyond Fundamentalism and Relativism”

Tanya Kane Parry (Music, Theatre and Dance): “Bringing Performance to the People”

 

- Associate Director of The Barber of Seville at Canadian Opera Company (Toronto) and Cinderella at Washington National Opera (Washington, DC).

- Presentation of “Dare to Fail and Fail Big!”* at the CSU Symposium on University Teaching, "GRIT: Exploring perseverance, mindset and character in the classroom," at California State University, Los Angeles, March 2015.

- Directed The Barber of Seville with the Bakersfield Symphony, February 2015

- Opera del Espacio's New Site-Generated Performance, Private in Public, at the SoCal Dance Invitational Concert, January 2015

- Video excerpts of prior productions

- Opera del Espacio and on Youtube

- recent publication: TCG online: Traveling & Working Abroad

Additionally, Tanya teaches Viewpoints workshops and presents at conferences nationally and internationally:

2014    Spain: University of Islas Balears, Palma, Mallorca - Viewpoints Workshop; Escuela Superior de Arte Dramatica de Ilas Balears - Viewpoints Workshop

                       Atalaya-TNT Sevilla - Viewpoints Workshop; University of Sevilla - Acting workshop.

2011    University Theatre Festival, Blumenau, Brazil: Viewpoints Workshop

            University of Uberlandia, Brazil: Viewpoints Workshop

            Ubu Roi, University of Blumenau, Brazil: co-directed and choreographed with Prof. Patricia de Borba

2010    University Theatre Festival, Blumenau, Brazil: Viewpoints Workshop

IX Congreso Ibero-Americana de Teatro Universitario (AIATU), Lima, Peru: Viewpoints Workshop & Panel Presenter

2009    ImprovFest, Los Angeles: Viewpoints Workshops for professional dancers and performers

2008    ImprovFest, Los Angeles: Viewpoints Workshops for professional dancers and performers

            Kennedy Center American College Theatre Festival, CSULA: Viewpoints workshop

2007    VI Congreso Ibero-Americana de Teatro Universitario (AIATU), Chihuahua, Mexico: Viewpoints Workshop for students from Spain, Argentina, Venezuela, Peru,

Costa Rica and Mexico.

Roosevelt University, Chicago: Intensive Viewpoints course for MA Directing students in the Fast-Track Program.

Israeli Opera, Tel Aviv, Israel: Acting Workshop for singers in the Young Artist Program.

2006    University of Massachusetts/Amherst, Guest Artist: Viewpoints workshops

2004    Kennedy Center American College Theatre Festival, Logan, Utah (Region VIII): Viewpoints workshops

Theatre Department, University of Chihuahua, Mexico. Guest Lecture

Rosana Gamson/Worldwide Dance Theatre Company (RG/WW): workshops to strengthen ensemble, introduce basic acting technique and vocal training for   upcoming bilingual production with Contradanza (Mexico City) based on Carlos Fuentes’ book Aura.

2003    Directors Lab West: Viewpoints workshop for professional directors and choreographers, Pasadena Playhouse.

2002    National University of Tucuman and La Baulera Cultural Center, Argentina: Viewpoints Workshops
 

PROFESSIONAL ASSOCIATIONS

American Guild of Musical Artists (AGMA)
Association of Theatre in Higher Education (ATHE)
Association of Theatre Movement Educators (ATME)
Association of Ibero-American University Theatres (AIATU)

AWARDS & RESIDENCIES

  • ATHE Innovative Teaching Award/KCACTF Region VIII, 2014
  • GSE Rotary Program to Mexico, March/April 2004
  • Partner of the Americas: Sponsored trip to attend Experimenta 5 Theatre Festival/Conference in Rosario and to conduct workshops with students of the National University of Tucuman and professional performers at La Baulera Cultural Center (Argentina), December 2002.
  • NEA/TCG Theatre Director Finalist, 2001
  • Certificate of Excellence in Teaching, awarded by the University of Massachusetts Amherst, 2000
  • Federick Loewe Fellowship, Stage Directors & Choreographers Foundation, 1997 & 1998

RELATED EXPERIENCE

  • Opera Ára ("Opera Now"), Guest Speaker on New Opera, Teatre Lliure, Barcelona, Nov, 2014
  • Directors Lab West, Guest Panelist, "Working Internationally" 2014
  • ATHE/ATME Panel Participant, “Atomic Dancing”; paper, video and live performance presentation, Aug. 2013
  • Directors Lab West, Alumni Committee, 2009.
  • Viewpoints Workshop Facilitator: Guest Artist Mary Overlie at the Directors Lab West, May 2005
  • Co-coordinator of Viewpoints Intensive at CSU Summer Arts with guests Mary Overlie, Anne Bogart, SITI company members and Nina Martin, June/July 2004.

TRAINING

  • BFA Acting NYU, Tisch School of the Arts: Circle-in-the-Square and the Experimental Theatre Wing
  • MFA Directing UMass/Amherst
  • The Viewpoints: Mary Overlie and Wendall Beavers (Experimental Theatre Wing/NYU)                               
  • American Mime Theater Company directed by Paul Curtis (Company Member 1991-1993) 
  • Dance & Movement: Modern, Postmodern, Contact Improvisation, Stage Combat, Martial Arts
  • Directing: Joseph Chaikin and Jean-Claude Van Italie/ The Living Theater: Judith Malina  
  • Commedia del Arte and Mask: Guy Friexe & Erhardt Steifel of the Theatre du Soliel           
  • Roy Hart Theatre/Experimental Vocal Technique: Richard Armstrong          
  • Tight Rope Walking: Philipe Petit/ Clown: Dale Scott/ Circus: Hoovey Burgess                     
  • Linklater Vocal Technique: Andrea Haring (Circle-in-the-Square)     
  • Stanislavsky, Boleslavsky and Hagen Acting Methodology: Alan Langdon (Circle-in-the-Square)

LANGUAGES: Fluent Spanish and French: conversational Portuguese and Russian

Comments on works directed by Ms. Kane-Parry:

 Space: The Final Frontier: “The cumulative effect of all this is that of an academic treatise straining to be enhanced by the kinetic power of design and dance. That goal is frequently met, thanks to the evocative quality of Kane-Parry's choreography, and the way the bodies collide and seem to roll through each other.”  - Steven Leigh Morris, LA Weekly

The Way of Water by Caridad Svich, adapted by Opera del Espacio: “In L.A.'s site-specific production of Caridad Svich'sThe Way of Water, Opera del Espacio is making the disaster tangible -- and implicating the audience in the event.You might even find yourself pouring an oil-like liquid onto the actors or helping to load company members into body bags by the end of the performance.”– Sarah Taylor Ellis, LA Weekly

Tosca Jumps!In this striking distillation by Tanya Kane-Parry of Puccini's operatic masterpiece, the music is abridged, the lyrics are lip-synched, and the performers borrow fascinating movement that seems to range from Chinese opera through contemporary street dance. Supertitles- a new opera convention -add typographic humor to the work and allow modern obscenities to replace pages of libretto.”  - Dany Margolies, Critic's Pick, Backstage West

Supreme Being“Text and images wash over you…meaning emerges from the show’s recombinant associations and repetitions”– Philip Brandes, Los Angeles Times

Romeo and/y Juliet(a)Goes to extremes (with) undaunted vision” – Luis Reyes, LA Weekly

Romeo and/y Juliet(a)Director Tanya Kane-Parry abstracts the Bard’s scenario through diverse performance art tactics: gender-bending, outsized sound effects, anachronistic asides”  - David Nichols, Los Angeles Times

Romeo and/y Juliet(a)It is an exciting, individualistic approach… in the manner of a Cubist painting, with glimmering flashes of action and dialogue, with a bit of Dadaism thrown in. [Kane-Parry’s] tempos and rhythms are impeccable…The piece is full of insightful action and is fascinating from beginning to end.” – T.H. McCulloh, Back Stage West

Romeo and/y Juliet(a)Emphasizing dance and movement over dialogue, the piece — relayed in Spanglish — juxtaposes Shakespeare’s basic plot and fragments of his text with contemporary street speech and images. Performers cavort in and around trash cans while, now and then, someone appears in spiked, thigh-high patent leather boots/ erotic gambols/ recurrent slamming of bodies against walls.” – Deborah Klugman, LA Weekly

The CureJuxtaposes ordinary things in strange ways but invests them with a sense of utter familiarity” – Martin Washburn, The Village Voice

The CureUnderlying outrageousness beneath a surface of deliberate, restrained and controlled emotional truth and subtlety…mysterious…compelling” – Richard Foreman, Playwright/Director

Trojan WomenBallsy…you applaud the effrontery each time…can’t take your eyes off it for a minute…hardy souls are in for a treat” – Eric Grode, Backstage

Romeo and/y Juliet(a)Modern theatre seems old fashioned when compared to this production…To say this production is surreal is an understatement. It’s more of a fracprism, where the original is divided into dozens of pieces that seem to have been squeezed through a multi-layered prism, refracting a distant image of the original, but creating a whole new entity in the process… Here, director Tanya Kane-Parry is experimenting with a style that takes a lot of guts to even attempt, let alone pull it off. What emerges from her imagination is part dream, part nightmare, half–fantasy, half-wish, layered onto a tale that begins with hatred between two families and results in the ultimate end for the protagonists… [Kane-Parry] knocks your socks off with something wild and off-beat.”   – Jose Luis, ReviewPlays.com

239 Additional Website:

Atef Laouyene

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Atef Laouyene
College of Arts and Letters
Phone: 323-343-4291
Department of English
Email: alaouye@exchange.calstatela.edu Office Location: ET

Teaching Experience

  • Associate Professor, California State University, Los Angeles, 2015-Present
  • Assistant Professor, California State University, Los Angeles, 2009-2015
  • Part-Time Teacher, University of Ottawa, Canada, 2007-2009                             
  • Part-Time Teacher, Carleton University, Canada, Fall 2008                                    
  • Teaching Assistant, University of Ottawa, Canada, 2001-2007                                                     

Courses Taught

  • ENGL-580 Graduate Seminar: "The Arabian Nights in Global Contexts"
  • ENGL-580 Graduate Seminar: “Representations of the Exotic in Middle Eastern Diasporic Literature.”
  • ENGL-541: Graduate Seminar: “Postcolonialism: Theory, Politics, Practice”
  • ENGL-510: Graduate Seminar: “Violence, Trauma, and Narrative Ethics”
  • ENGL-492: Seminar in Literature and Language
    • “Violence, Ethics, and the Literary Imagination”
    • “Orientalism in Literature and Film"
    • "Literature and Empire: Visions and Revisions"
  • ENGL-486: 20th-Century Continental Fiction
  • ENGL-452: Cultural Studies and English Literature
  • ENGL-383: Narratives of Maturity and Aging
  • ENGL-382: Violence and Literature
  • ENLGL-3700: Readings in Modern and Contemporary World Literatures
  • ENGL-340: Writing in the Major
  • ENGL-280: Contemporary World Literature
  • ENGL-250: Understanding Literature
  • EngL-200C: British Literature Survey II (18th Century-Present)
  • ENGL-102: Composition II

RESEARCH

  • Middle Eastern Studies
  • Postcolonial Literary Studies
  • Critical Theory
  • History of Arab Spain
  • Francophone Literatures of the Maghreb

 

PUBLICATIONS AND PRESENTATIONS

Books

“Exoticism and the Politics of Representation in Arab Diasporic Literature.” Under contract with Northwestern UP. 

(In progress)

Articles/Book Chapters

"Reading Otherwise: Politics of the Exotic in Diana Abu-Jaber's Crescent."Critique: Studies in Contemporary Fiction. 56.5 (2015): 586-601.

2015

"Race, Gender and the Exotic in Ann-Marie MacDonald's Fall on Your Knees."Journal of Commonwealth Literature. June, 50 (2015): 197-215.

2015

“Pathologies of Moorishness: Al-Andalus, Narrative, and ‘Worldly Humanism.’” Journal of East-West Thought. 3.1. (2013): 31-44.

2013

“The Canadian Gothic and the Work of Ghosting in Ann-Marie MacDonald’s Fall on Your Knee,” in Unsettled Remains: Canadian Literature and the Postcolonial Gothic. Ed. Cynthia Sugars and Gerry Turcotte. Waterloo: Wilfrid Laurier UP, 2009.

2009

“Andalusian Poetics: Rushdie’s The Moor’s Last Sigh and the Limits of Hybridity.” ARIEL: A Review of International English Literature 38.4 (2008): 143-65.

2008

“‘I am no Othello.  I am a lie’: Shakespeare’s Moor and the Post-Exotic in Tayeb Salih’s Season of Migration to the North,” in Native Shakespeares: Indigenous Appropriations on a Global Stage. Ed. Craig Dionne and Parmita Kapadia. London: Ashgate Press, 2008. 213-32.

2008
Book Reviews
  • "The Poetics and Politics of Mourning." Rev. of Signifying Loss: Toward a Poetics of Narrative Mourning, by Nouri Gana. Cultural Politics. 11.3 (2015): 412-16.
  • “Translational Poetics in Arab Immigrant Writing.” Rev. of Immigrant Narratives: Orientalism and Cultural Translation in Arab American and Arab British Literature, by Waïl S. Hassan. Postcolonial Text. 7. 4 (2013)
  • “Of Violence and Poetry.” Rev. of To Love a Palestinian Woman, by Ehab Lotayef; Alien, Correspondent, by Antony Di Nardo; and Back in the Days, by Addena Sumter-Freitag. Canadian Literature. 212. (2012): 164-166.
  • “Pan-Arabism Under British Eyes.” Rev. of Britain and Arab Unity: A Documentary History from the Treaty of Versailles to the End of World War II, by Younan Labib Rizk. Journal of Intercultural Studies. 33.4. (2012): 463-47.
  • "Orient Re-oriented,” Rev. of Translating Orients: Between Ideology and Utopia, By Timothy Weiss. Postcolonial Text 2. 2 (2006)

Presentations

  • "Marketing the Middle Eastern Memoir: Escapee Narratives and the Politics of the Exotic." Presented for PAMLA (Pacific Ancient and Modern Language Association), Riverside, CA, October 31, 2014.
  • “Representations of Violence in Middle Eastern Literature: 9/11 and the Exotics of Terror.” Presented for ACLA (American Comparative Literature Association), New York, March-20-24, 2014.
  • Chair, “God and Man in Medieval and Renaissance Literature” at the “CSULA Conference on Modernity, Critique, and Humanism,” February12-13 2012.
  • Moderator, the CSULA American Communities Program panel, “The Revolutionary Impulse, ” February 1, 2012.
  • Chair, “Sor Juana and her Relations with Baroque Institutions of New Spain” at the “CSULA Conference on So Juan de la Cruz, Her Work, Colonial Mexico, and Spain’s Golden Age,” May 13-14, 2011.
  • “Pathologies of Moorishness in Arab Diasporic Writing,” presented at the MLA Conference, Los Angeles, January 6-9, 2011.
  • “Ethics of Witnessing: Life Writing and the Spectacle of Arab Violence,” presented for CACLALS at the Congress of the Humanities and Social Sciences, Concordia University, Montreal, Canada, May 28-June 4, 2010.
  • “Hauntropologies: Arab Canadians and the Specter of Marginality,” presented for CACLALS at the Congress of the Humanities and Social Sciences, Carleton University, Canada, May 23-26, 2009.
  • “Arabs, 9/11, and the New Face of the Exotic” presented for ACCUTE at the Congress of the Humanities and Social Sciences, Carleton University, Canada, May 23-26, 2009.
  • “The Post-Exotic Arab: Re-Arranging the Tropes,” presented at the MLA Convention, Chicago, December 27-30, 2007.
  • “Odalisque Revisited,” presented at the Fifth International Conference on New Directions in the Humanities, Paris, July 17-20, 2007.
  • “‘I am no Othello.  I am a lie’: The Undoing of the Moor in Tayib Salih’s Season of Migration to the North,” presented for CACLALS at the Congress of the Humanities and Social Sciences, Winnipeg, Canada, May 2004.

 


EDUCATIONAL BACKGROUND

  • Ph.D., English, 2008, University of Ottawa, Ottawa, Canada                                                                                                                          
  • M.A., English, 2001, Laval University, Québec, Canada
  • Diplôme des Études Approfondies in English, 1998, Faculté des Letters, Manouba, Tunisia
  • License in English Language and Literature, 1997, Faculté des Lettres, Sousse, Tunisia                     

 

A627

Sachiko Matsunaga

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College of Arts and Letters
Phone: 323-343-4230
Department of Modern Languages & Literatre
Email: smatsun@exchange.calstatela.edu Office Location: KH D1054

Benjamin Bateman

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Associate Professor of English and Women's, Gender, and Sexuality Studies
College of Arts and Letters
Department of English
Email: rbatema@exchange.calstatela.edu Office Location: ET

Benjamin Bateman received his Ph.D. from The University of Virginia and is Associate Professor of English and Women's, Gender, and Sexuality Studies. From 2011 to 2015, he directed the Center for the Study of Genders and Sexualities. His areas of research include global modernism, contemporary anglophone fiction, queer and disability theory, and critical environmental studies. His publications have recently appeared in Modern Fiction Studies, KudzuTwentieth Century Literature, Henry James Review, Studies in American Culture, and a variety of edited collections.

His first book, The Modernist Art of Queer Survival, which is under contract with the Modernist Literature and Culture series at Oxford Univeristy Press, argues for a modernist archive that understands survival not as the extension of an individual life into the future but as the distension of various life forms in the present across imperial, species, animate, and gender divides. This interdisciplinary project includes chapters on Oscar Wilde, Henry James, E.M. Forster, and Willa Cather, and its critical framework is informed by queer theory, close reading, animality and precarity studies, and psychoanalysis. It also stages the first sustained conversation between literary studies and the thought of contemporary psychoanalyst Michael Eigen. Benjamin's next book, Minimal Impact, implicates the neoliberal pursuit of leading an "impactful life" in environmental destruction, including climate change, and draws upon contemporary literature and popular culture (from the experimental prose of Thalia Field and Lydia Millet to the blockbuster television show The Big Bang Theory) to argue for already existing practices of physical attenuation, such as sleeping and philosophizing, that blunt human impact on the natural world and provide opportunities to dream the Anthropocene differently. Benjamin is also the guest co-editor (with Elizabeth Adan) of Emergent Precarities and Lateral Aesthetics, a special focus section of Minnesota Review, as well as a colloquy titled Precariousness for Stanford University's online project Arcade: Literature, the Humanities, and the World (also with Elizabeth Adan).  

Benjamin teaches courses on modern and contemporary literature, critical theory, and popular culture; and he advises a number of Master's students seeking to hone their critical and close reading skills in preparation for doctoral work in the humanities. In Fall 2016, his courses include ENGL/TVF 3830: Gender and Sexuality in Popular Culture, WGSS 3650: LGBTQ Cultural Production, and ENGL 5400: British Literature (focus on E.M. Forster). In Spring 2017, he will offer WGSS 4050: Queer Theory and ENGL 3200: Readings in Theory. 

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Assoc. Chair, Journalism

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Prof. Jon Beaupre, Dept. of TV, Film & Media Studies
College of Arts and Letters
Phone: 213 709 2040
Department of TV, Film and Media Studies
Email: jbeaupr@exchange.calstatela.edu Office Location: MUS

***PLEASE NOTE:  Prof. Beaupré is out on sabbatical and will not return to campus until spring semester, 2017***

Prof. Jon Beaupre is Associate Chair for Journalism in the department of TV, Film & Media Studies.  His areas of concentration are broadcast journalism, field and studio production, and performance skills.  He has taught a wide ranges of courses, workshops, and classes related to journalism, media, communication, documentary, and critical studies related to these fields.  This teaching and coaching work has been performed as far afield as dozens of seminars and conventions around the U.S. and as far as the Galapagos Islands in Ecuador. He has a strong interest in new technologies and their potential for the future of journalism, and in curriculum development as it affects our journalism option majors.

A Changing Climate - Peru 2009

He is the winner of 10 Golden Mike awards from the Radio TV News Association of Southern California, 10 awards from the LA Press Club, where he served two terms as a board member, 5 Associated Press awards, the Ruben Salazar award from the California Chicano News Media Association, a Silver Reel from the National Federation of Community Broadcasters and a number of other citations, including fellowships at the East West Center in Honolulu HI and the Poynter Institute in St. Petersburg FL for his work as a radio reporter, and teacher.  

His work has been heard world wide on the BBC/PRI program The World, the NPR flagship programs All Things Considered and Morning Editions, Pacifica Radio, as well as Deutsche Welle, and syndicated programming on satellite, shortwave and online, including Living On Earth, Market Place, The California Report, Latino USA, This Way Out and others.  He has worked as an on-air host at Los Angeles radio stations KPFK and KPCC and as a reporter on the KPBS/KCET/KVIE/KQED statewide news broadcast California Connected.  In addition to his coverage of issues in California, he has also reported from Southern Nevada, New York, Peru, Brazil, Mexico, France and India

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